Album Review: Modern Suspects – II

II is, as the name suggests, the second EP from the Denver based synth-pop group Modern Suspects. Formerly known as Claymore Disco, the band updated their guitar driven sound for a more modern, synth based sound and moved from a four piece to a three piece. The five song EP is packed with tracks that make you want to get up and dance alongside tunes with more personal lyrical content.

Album Review: Melkbelly – Nothing Valley

Melkbelly’s debut, full-length album Nothing Valley may be one of the most refreshing albums of the year. Spanning a multitude of genres such as noise rock, punk, jazz, doom, and psychedelia.

Album Review: The Great Aerodome– Happy Birthday to Me, I Guess

Genre-bending rockers, The Great Aerodrome knock it out of the park with their debut album Happy Birthday to Me, I Guess. The band is comprised of members: Justin Maul, Philip Sellabarger and Michael Ross, but they have a larger than life sound. Combining elements of punk, dance-rock and metal makes for a high energy album that is fun to listen to from start to finish.

Album Review: Get Along– Let My People Go

Get Along is a husband and wife indie-pop duo made up of Nicholas and Cara Yañez, who just released their diverse EP, Let My People Go. They may be a two piece but they don’t let that limit them in the studio as their arrangements are bold and ambitious. Their songs range from upbeat, danceable synth-pop to orchestral ballads and everything in between.

Album Review: Victim Culture – Self-Titled

Back in April, Denver-based hardcore band, Victim Culture, released their debut, self-titled album. Coming in at eight songs and a breezy 23 minutes, the album packs a heavy, but swift punch from start to finish. Comprised of Zack Hill on guitar and vocals, Connor Hampton on vocals and bass, and Noah Shockley on drums, the band’s sound is rooted heavily in punk. They have a raw but defined sound, blending together melodicism with dissonant, angular guitar riffs.

Album Review: Foxxes– Self-Titled

Denver-based quartet, Foxxes, make their debut with this nine-track, self-titled lo-fi album with a nice DIY vibe to it. It keeps a consistent sound throughout, bringing in elements of garage rock, psychedelic pop and indie rock. The first track “Patterns and Sequences” is a mid-tempo tune that has a ‘90s alternative feel to it. The song opens up with big whole note guitar chords before singer Chris Felbush’s washed out vocals float along on top.

Album Review: Inner Oceans – I Don’t Mind

I Don’t Mind is the first proper full-length album from synth pop Inner Oceans. Upon first listen you’ll most likely think, “Wait this band is from Denver???” Originally yes, but they just recently made the big move to Los Angeles. Coming in at five members, the band packs a huge punch with their own brand of stadium ready, psychedelic, synth pop. Amid the state’s craft beer-centric, bluegrass, rock, funk, and EDM saturated music scene, there is a lot of great pop music and artists that often get overlooked. The band delivers a sound that is almost too big for Colorado to contain.

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