The band members in Silver & Gold don’t seem to believe it, but it was a decade ago when they were just a group of college kids crowded together in a music rehearsal room at the University of Northern Colorado in Greeley to go over some songs they’d just written.
They were regulars after 9 p.m. most nights at Frasier Hall, the music building, where they honed their craft beyond jazz choir, soon becoming one of Northern Colorado’s most beloved rock bands.
The band will release a new EP next month, and the six songs reflect a group much more sure of itself than those kids in Fraiser, Hildebrandt said. This is despite the fact that they recorded the album just a few months into the pandemic. Maybe, in fact, because of it.

Strong inspiration can carry you a long way. For Denverite and man of many musical hats Seth Beamer, inspiration struck at least once recently and the propulsion is palpable. Having embraced a solo career path after parting ways with Wildermiss (a group he founded) a handful of years ago, Beamer has embraced his true self: a connector, teacher, master of many trades, and conduit of positive energy.

Releasing his debut single “The Runaround” on December 7, 2022, Beamer has hit the ground, well, running – racking up tens of thousands of instagram followers and winning Channel 93.3 KTCL’s annual Hometown For The Holidays competition last month. For Colorado artists, that’s a huge deal.

Treaty Oak Revival didn’t really have a choice but to be a country band. They grew up in West Texas, a market that practically demands bands play country, and, well, it’s also hard to escape your roots. 

“I have an accent,” said Sam Canty, the band’s lead vocalist, in an interview with BandWagon – and for the record, he sure as heck does.

Even so, all that Texas red dirt country the band seemed destined to play couldn’t bury their love of rock and roll, especially in a world of modern crossovers. Canty is unafraid to proclaim his love of big punk acts such as Sum 41 and Blink 182 and Treaty Oak Revival finds themselves with their feet in more than one arena.

Eternal Glory, $5,000 and the cover of BandWagon Magazine are grounds for musical fisticuffs in Colorado. Last month, 16 Colorado bands who stood out from 100 submissions slugged it out (yes, metaphorically) at 4 of the state’s most worthy music venues: Oskar Blues Colorado Springs, The Moxi Theater in Greeley, The Coast in Fort Collins and The Black Buzzard in Denver.
The four finalists rocked hard to surpass their contenders and secure their spot in the final round on December 10 at The Moxi Theater. In the initial rounds, each act was assessed by a panel of celebrity judges on a combination of talent, skill, stye and conduct (along with an element of fan voting) to determine the finalists. Here’s what the original sweet sixteen brought to the battlefield in the first round.

Langhorne Slim’s “Strawberry Mansion” was the result of a burst of creativity that emerged from the pandemic and after winning a battle with clinical anxiety and prescription drug abuse. He’s still happy to talk about that time and his never-ending struggles, and he remains honored to share his experience with mental health organizations. But sometimes he has to remind people that those are things he’s dealt with his whole life. They do not necessarily define him.

“I’m also having fun too,” Slim said with a laugh in a phone interview with BandWagon. “It’s not beating me every day. For the first time ever, I was finding some semblance of stillness. I wasn’t running from myself because I wasn’t able to.”

Jen Korte

Alysia Kraft can keenly use nature as a metaphor in her music. But in the case of “Little River,” a song with rich layers of meaning and potential interpretations, the inspiration was frighteningly literal.

“I almost drowned in the river by my parent’s ranch in the summer of 2020,” Kraft tells BandWagon. “It was a freak accident. The railing snapped on a bridge I was standing on and I was instantly tossed into a very high, very debris-choked river raging with freshly thawed spring snow.”

She lived to tell the tale. And in turn, make some of this year’s most resonant music.

A Wyoming native, Kraft’s is known in Colorado as one third of folk-rock favorites Whippoorwill and the voice of The Patti Fiasco. With therapeutic guidance, she came to an epiphany following the river trauma.

“From my own experiences, I’ve always wished more people from this country would listen to music that is not sung in English,” Jonny Jyemo tells BandWagon. “There is so much out there. Language should not be a barrier, but an invitation to connect.”

Jyemo is the founder of Jyemo Club, a Colorado band with members from 5 different countries. The band is based on a simple, inclusive idea: a concert where people from anywhere in the world would feel welcome. Where beats invite dancing and lyrics are felt beyond language. The Club has so many varying backgrounds that they can only be described as universal.