If you go into the theater expecting another stupid, overly blue comedy without any substance beyond satirized stoner impressions and pussy actor bitches… you won’t be disappointed. There’s plenty of that shit, but also a surprising amount of morality and commentary on the shallow behavior of Hollywood actors and their lifestyles.
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The local hip hop group has been working hard to produce some unique tracks, what they call “soul hop,” and have released another successful, underground project hip-hop fans everywhere should give a listen.
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Jojo Garza, the bassist of Los Lonely Boys who will be one of the Greeley Stampede headlining acts on June 30th, spoke with the BandWagon about their experiences in Colorado and what it’s like to be in one of the most prominent Texican rock bands to take the stage of the Greeley Stampede. Currently on their Brotherhood tour with Los Lobos and Alejandro Escovedo, Jojo spoke on his excitement to be returning to Colorado.
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Alex Koutsoukos, better known as Epoch When, released his new album, E-sides, April 15th in an endeavor that demonstrates his lyrical talent while sharing some very personal moments from his life.
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Aly Spaltro, 23, or better known to her fans as Lady Lamb the Beekeeper, began making music in secret. She produced several basic recordings in the basement of the DVD rental store she worked at in Brunswick, Maine, with no intention of showing them the light of day. But thanks to the encouragement of her boss at the time, she found the courage to do a few local gigs. Having since spawned into several national and international tours, as well as the release of her first full length LP entitled Ripley Pine on Ba Da Bing Records, her “secret” has found a home in the hearts and minds of music fans everywhere.
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As their name naturally invokes a sense of unadulterated expression, so too does their music. Their forthcoming EP, entitled Dysfunction (released June 1st release), displays a range of musical stylings, while sustaining the steadfast energy that is the essential core of all punk rock.
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The camera doesn’t stop for a moment, always gyrating around millionaire Jay Gatsby (DiCaprio) and his confidante Nick Carraway (Maguire), the less than humble narrator, as the veil of the mysterious life of the great Gatsby slowly tears, revealing his true intentions behind the most extravagant parties ever seen. Which are truly a spectacle akin to Cirque Du Soleil on crack. Luhrmann brings to the table much of what made Moulin Rouge such a visual delight.
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It’s difficult being a film buff in this era. On one hand, if you’ve always wished Hollywood would adapt your favorite comic book tales into well-made films that did more than sell toys to kids, it’s a great time to be a lover of film and all things geek. On the other hand, the monetary success that geek-friendly properties have achieved over the past decade, alongside the other successful blockbusters of The Aughts, has lead to Hollywood developing a fixation on only stories with built-in audiences, i.e. existing franchises instead of new, unproven films. If you wanted something truly unique or at least emotionally satisfying, your options are limited.
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