The vibe of The Trujillo Company could be summed up as a steady cloud of reefer smoke wafting out of a storm drain into the misty Seattle air, we’ll say circa 1991. Despite this, the Denver outfit is nothing short of a breath of fresh air for the Colorado music scene, releasing “Home” June 22nd at Larimer Lounge.
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If you just heard Dressy Bessy for the first time, you missed quite a lot. Formed from the same seminal Elephant 6 collective that gave birth to Apples in Stereo and Neutral Milk Hotel, the group released half a dozen reliably enjoyable records. Dressy Bessy is a Colorado cause célèbre, releasing ‘Fast Faster Disaster’ June 13 via Yep Roc Records at Downtown Artery and Lion’s Lair respectively.
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When you think about contemporary worship music, you think of 20 piece bands singing with at least three acoustic guitars. When Northern Coloradans hear the name Burroughs we think of the 9 piece “sweaty soul band” fronted by Johnny, the eccentric red-haired dude who commands you to get up and dance.
“DAY 1,” Johnny Burroughs’ debut solo record is clearly not The Burroughs and is distinctively about singing praise to God, but it’s done with soul, in both the literal and metaphorical senses.
Ethyl and the Regulars’ new album “Honest Work” is a reflection of just that – a mature Americana sound grounded in tradition, yet they incorporate jazz elements including a Thelonious Monk melody as a thematic tool for instrumental conversation.
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“Wealthcare” is an eight track wander through the vast scope of Rock n’ Roll. Anxious yet contemplative, the new record from Chess At Breakfast burns hot at times with tracks like “Ambulance” and “POTUS Blues” but bounces quickly to the cool modes of “Hello Haunt” and “Glaciers.” “We love that super trapped-in-the-head kind of weird, wonky stuff,” says lead vocalist Caleb McFadden.
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A newfound polish and poise comes to Denver dream pop / shoegaze indie rockers Tyto Alba with their forthcoming record Sucker, out May 4. Melanie Steinway’s yelp of “we gotta bring this sucker down” peeks out amidst rich, swirling builds like something off The Cure’s “Disintegration.”
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“40 years in radio. 50 years as a working musician. This is my official debut, at age 64. Crazy huh?” This is the line we got from Chris Kresge, frontman of GOATZ! when he sent us his debut bluegrass/Americana record “Sweet Inspiration”
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Julian Cary is a jazz artist, but he doesn’t allow the idea of what jazz should be interfere with his expression: On “heaven?indeed” he neglects traditional song form, adapting the music to fit the form of E.E. Cummings’ poems. The record retains a subtle honesty wrapped in moments of dynamic, tonal beauty.
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