Let’s face it. For many, the past couple of years have been pretty garbage, in a lot of ways. However, for Colorado’s progressive pop-punk outfit Trash., it would seem the past two years have been about growth and preparing a sophomore release that, in every sense of the word, is quite the opposite of what the band’s moniker projects.
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Progressive rock is certainly its own multi-tentacled beast. Its key characteristics align with virtuosic musicianship and a sort of refined taste which, as with caviar or any stereotype, can lend itself to negative connotations.
But the debut release from Colorado’s Jellyfish Farm could not be further from any preconceived notion of “stuffy” progressive rock. Rather, it’s a delightful and abstract breath of fresh air for not only the state’s local music scene, but modern prog as a whole.
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Following in the Soft-Croon tradition of fellow Colorado folkers Covenhoven and Gregory Alan Isakov, Fort Collins’ Farmer paints with a palette of little more than acoustic guitar and vocal. But a flutter of woodwind textures, flecks of orchestral harp and thoughtful string arrangements elevate the album’s eight songs to a 10.
Fans of Bon Iver will love A Mold For The Bell, but expect a few unique brush strokes in this impressionist piece, namely, the pointed, trembling timbre of Farmer’s vocal: It’s hushed and rife with vibrato yet convinced with a determined grit.
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Colorado mainstay metallers Draghoria have long been a force to be reckoned with. Their latest effort, Dangerous Species, has not only maintaineed their place on the mountain but have effectively secured their territory at the top.
Draghoria is known in the Colorado community for sheer, sonic brutality, creating an amalgamation of old-school thrash and modern metal held together by forceful melodies, unmatched musicianship, and nods to a plethora of styles that scream (pun intended) pure metal.
People in General are making the leap. Since their first release Piglet in 2019, the trio has grown into a full 8 piece band with horns, extra vocalists and more. The sounds on the new EP Friends are more mature, with bigger, fuller arrangements. But the shift isn’t only because the band is suddenly all grown up. Like it or not, the vocalist is the most identifying element of any band, and People in General have changed that up too.
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Denver’s femme trio, mon cher, explore synth-driven dream pop in their new EP tell me baby. It’s meditative and vibey, reminiscent of synth-pop groups like Washed Out (the group that wrote the “Portlandia” theme) and the Minecraft’s ethereal composer, C418.
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When you find yourself on the old familiar quest for heavy, ethereal, instrumental music that takes you on a sonic journey through space and time, look no further than the latest effort from Colorado’s Pathos & Logos, “Cult.”
Pathos & Logos is a two-man operation that sounds like a galaxy of performers smearing a solar system of sounds together.
To say that Musuji’s reputation precedes them would be an understatement. Known for their “wild with madness” moniker, Musuji mash together layer upon layer of sound and energy to create their own blend of funky, intense indie rock that is equally as chill as it is disastrous – and that’s in a good way.
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