If one were to compile a list of directors that would be a suitable fit for a Biblical epic, Darren Aronofsky likely wouldn’t rank very close to the top at first glance. With his topics ranging from drug abuse (Requiem for a Dream) to fatally fame-obsessed delusional ballerinas (Black Swan), a story from the Bible doesn’t exactly fit into that class. But one needs look no further than a smaller, earlier film called Pi, in which a man was struck with the unflinching belief that the number 3.14 was a message from God detailing the apocalypse. It’s interesting then that Aronofsky’s latest film, Noah, is about a man speaking to God about just that topic. And what a film it is.
Continue readingFilm Review: Noah
