New Music Monday: Courtney Barnett — Sometimes I Sit and Think, and Sometimes I Just Sit

March 30, 2015

This week, Australian singer/songwriter Courtney Barnett has released her highly anticipated sophomore album, Sometimes I Sit and Think, and Sometimes I Just Sit (which for brevity’s sake, shall be referred to as Sometimes from here on out). The patently Australian chill that was present in her first album still rings true, while lazily wandering into new musical territory. There’s a warmth present in her tunes that beg for the album to be enjoyed on a couch, or front porch. Even the punchier tracks like “Dead Fox” or the lead single “Pedestrian at Best” have a “neighborhood BBQ” vibe to them.

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J Boog: Compton’s Reggae King

March 20, 2015

If music is a universal language, Jerry “J Boog” Afemata has mastered that language through reggae. Born in Long Beach, California and raised in Compton as the youngest of eight, J Boog worked to make his sound a collaboration of family influence and personal freedom. With the help of reggae artist Fiji in 2005, J Boog produced his debut album Hear Me Roar. Joining up with Wash House Music Inc, he worked with reggae family legend Ambassador Gramps Morgan of Morgan Heritage, island producer and artist Don Corelone, and international reggae star Yami Bolo to put out his Billboard charts topper Backyard Boogie in 2011. He won Best New Entertainer at 2012’s International Reggae and Music Awards. He continues to produce singles that make their way to the top charts for reggae and put out his latest EP Live Up in 2014.

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Uncle Tony Speaks: Blockhead Offers More Instrumental Brilliance

March 19, 2015

Producer Blockhead (real name Tony Simon) is currently on another leg of his solo tour in support of his latest album, Bells & Whistles, which was released in November 2014. His last effort, 2012’s Interludes After Midnight, offers more instrumental brilliance and puts the cherry on top of an already impressive catalog. From 2004’s Music By Cavelight (his Ninja Tunes debut) to 2009’s The Music Scene, literally every track that bares Simon’s touch is flawless. Growing up in Manhattan, he was enamored with hip-hop since the moment he heard it. He met emcee Aesop Rock while attending Boston University in 1994 and it was on from there. Although Simon prefers rap music over instrumental music, he has a deep appreciation for all genres

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New Music Monday: Death Grips – On GP

March 16, 2015

Death Grips fans rejoice! We have been eagerly (and impatiently) awaiting the release of the hiphop trio’s “final” album for quite some time now. After splitting up in July, the band promised the 2nd half of their final album by the end of the year. If you’re reading this, I don’t have to tell you that MC Ride and crew squelched on their promise. After the release of the unexpected Fashion Week LP, and numerous release date changes, it appears as though Death Grips has finally settled on a release date, and they mean to keep it. Jenny Death, the 2nd half of the powers that b, will be release March 17th. This Tuesday. Like I said, rejoice.

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Album Review: Navigate—Aspen Hourglass

March 13, 2015

Each member brings forth a unique musical background, ranging from jazz, to classical and metal. Only when the members of Aspen Hourglass combine these elements does something magical happen. Ethereal at first, but with time, and multiple listening sessions, the complexities of the music begin to reveal themselves.

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Album Review: The Hotboxed EP – THC

March 10, 2015

The Hotboxed EP is intended to be a showcase of his abilities as a songwriter, producer, and performer. The album incorporates many reggae elements and features local reggae talent Bad Kat, President Destine, and Spellbinder. The album dropped while opening for Afroman last year at the Moxi Theater.

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New Music Monday: Purity Ring — another eternity

March 9, 2015

This week, Purity Ring released another eternity, the 2nd studio release for the duo. The lead singles, namely “push pull” did a good job of describing the sugary sweet synth that we’d be getting in this album. The digitized Megan James vocal is the perfect candy-coated counterpoint to the whomping, swirling bass. Each song is a druggy fever dream tumbling through your computer screen. James and band mate Corin Roddick know their sound, and they do it well.

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