Album Review: Los Condensadores de Fluzo Rockabilly “Typicat” Spanish

December 8, 2014

Condensadores de Fluzo es la traducción incorrecta de Flux Capacitor que debería de ser condensador de flujo cuál es la parte principal de la máquina del tiempo de la película Back to the Future. Esta traducción incorrecta es de España de donde se originan el grupo más exacto de Jaén. Los Condensadores de Fluzo es un grupo mas nuevo que empezaron en el 2010 que tocan música Rockabilly. Los miembros son Fernando Valverde o conocido como “Perro rabioso” que toca la batería, el bajo lo toca Tonino McFly, Juan Antonio Plutonio toca la guitarra, y el vocalista que también toca la guitarra es Carlos o conocido come “Fluzo.” Rockabilly “Typicat” Spanish fue estrenado apenas este año después de su exitoso lanzamiento de su álbum “Back to the Fifties” en el 2012.

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New Music Mondays: “Lake Song” The Decemberists

At the release of this article, it has been nearly 4 years since The Decemberists released a new studio album. This is not uncommon for the group, who have taken multiple-year breaks before. The longest break prior to this was taken in between the albums The Crane Wife and Hazards of Love, the latter being the groups paramount release (at least from my perspective). One can only hope that time away is just what the group needs as they prepare to release What a Beautiful World, What a Terrible World.

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Album Review: Springtime Carnivore Self-Titled

Greta Morgan Salpeter (better known simply as Greta Morgan) began playing piano at the tender age of three. With a classical pianist for a mother, Morgan has many fond musical memories, especially with her father:

“My Dad is tone deaf, but he loves music. So he always took us to musicals, and I actually remember dancing with him to motown in front of our juke box as kids.” You can sense the importance of these memories in Morgan’s voice

Music continued to be a fierce passion into her teens.

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Winter Wonderland Jam Offers Up the Classics

December 6, 2014

It was a big surprise to hear Grandmaster Dee wouldn’t be joining the other two members of Whodini for the Winter Wonderland Jam on December 6 in Denver. After all, as DJ for the ‘80s soulful hip-hop group Whodini, Grandmaster Dee carved out a permanent place for himself in hip-hop history with the celebrated group. Hailing from Brooklyn, New York, the trio’s second album, Escape, was certified platinum and delivered eight solid tracks, including hit singles “Five Minutes of Funk,” “Freaks Come Out at Night” and “Friends.”

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Rising Stars: Jager’s Got Talent

December 4, 2014

Jager’s Got Talent was a competition consisting of three rounds that were judged and voted on to find the winner. Copycat edition refers to the theme performers were given each week to “copy” in order to fulfill the requirement (i.e. ‘90s or Boybands etc).

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Album Review: Born to Wander – Self-Titled EP

November 25, 2014

It’s not every day that you get a debut album from a jazz trio, but more often than not, the music on it doesn’t sound that much different from anything else out there that’s getting play on the radio. Born to Wander, which consists of vocalist Kate Skinner, guitarist Steve Kovalcheck and bassist Erik Applegate, manage to stick out a bit. They’re a jazz outfit with a mellow yet peppy sound and an electric guitar ato offer style change their songs. Their debut album is a fun, cool production that shows what jazz can be.

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New Music Monday: Manchester Orchestra Releases Hope

November 24, 2014

Manchester Orchestra is not new to the game. With four critically acclaimed albums under their belt including their fantastic fourth album Cope which dropped April 1st of 2014, they can pretty much do whatever they want musically. So in true bands-that-do-whatever-they-want fashion, the Manchester Orchestra boys dropped Hope, a stripped down, not quite acoustic version of Cope.

They re record the entire album song by song in a true testament to their prowess as songwriters and musicians. They completely re envision the intensity of the album, holding on to the desperate driving nature of Cope while at the same time creating something fresh for themselves and fans.

What makes this album so interesting is the care and the meticulous nature of the production in each song making this more than a simple vanity project. One thing you see from successful touring bands is a certain kind of boredom with their own music. Manchester Orchestra breaks from this by reinventing themselves without completely departing from the things that fans have come to know and love. For one album the band lets out their inner Sufjan Stevens, something every band should probably do from time to time.

As a stand alone album Hope tip toes slightly into Boresville when listening from beginning to end if you’re expecting hard rock Manchester Orchestra and something is lost when recreating the intense breakdowns of Cope. But when you compare the two albums they work together and by listening to one the other becomes that much better. Especially Cope, that album is the tits.

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