Let’s face it. For many, the past couple of years have been pretty garbage, in a lot of ways. However, for Colorado’s progressive pop-punk outfit Trash., it would seem the past two years have been about growth and preparing a sophomore release that, in every sense of the word, is quite the opposite of what the band’s moniker projects.
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Eternal Glory, $5,000 and the cover of BandWagon Magazine are grounds for musical fisticuffs in Colorado. Last month, 16 Colorado bands who stood out from 100 submissions slugged it out (yes, metaphorically) at 4 of the state’s most worthy music venues: Oskar Blues Colorado Springs, The Moxi Theater in Greeley, The Coast in Fort Collins and The Black Buzzard in Denver.
The four finalists rocked hard to surpass their contenders and secure their spot in the final round on December 10 at The Moxi Theater. In the initial rounds, each act was assessed by a panel of celebrity judges on a combination of talent, skill, stye and conduct (along with an element of fan voting) to determine the finalists. Here’s what the original sweet sixteen brought to the battlefield in the first round.
Progressive rock is certainly its own multi-tentacled beast. Its key characteristics align with virtuosic musicianship and a sort of refined taste which, as with caviar or any stereotype, can lend itself to negative connotations.
But the debut release from Colorado’s Jellyfish Farm could not be further from any preconceived notion of “stuffy” progressive rock. Rather, it’s a delightful and abstract breath of fresh air for not only the state’s local music scene, but modern prog as a whole.
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Colorado mainstay metallers Draghoria have long been a force to be reckoned with. Their latest effort, Dangerous Species, has not only maintaineed their place on the mountain but have effectively secured their territory at the top.
Draghoria is known in the Colorado community for sheer, sonic brutality, creating an amalgamation of old-school thrash and modern metal held together by forceful melodies, unmatched musicianship, and nods to a plethora of styles that scream (pun intended) pure metal.
To say that Musuji’s reputation precedes them would be an understatement. Known for their “wild with madness” moniker, Musuji mash together layer upon layer of sound and energy to create their own blend of funky, intense indie rock that is equally as chill as it is disastrous – and that’s in a good way.
Continue reading Colorado mainstay metallers Draghoria have long been a force to be reckoned with. Their latest effort, Dangerous Species, has not only maintaineed their place on the mountain but have effectively secured their territory at the top.
Draghoria is known in the Colorado community for sheer, sonic brutality, creating an amalgamation of old-school thrash and modern metal held together by forceful melodies, unmatched musicianship, and nods to a plethora of styles that scream (pun intended) pure metal.
The Stubby Shillelaghs’ forthcoming full-length LP “Glass to Mouth” (out October 30) will mark ten years of silly drinking songs and sea shanties for this Greeley band, complete with impressive musicianship, humor, and well-placed profanity. All-in-all, “Glass to Mouth” is as good a jolly-olde-time as it is tongue-in-cheek.
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One of Colorado’s most popular bands, The Gasoline Lollipops, will be delivering what can arguably be considered their masterpiece on September 11, 2020. “All the Misery Money Can Buy” has been described by the band as a politically charged union of soul music and Southern rock, blending singer Clay Rose’s gritty singing style with what appears to be a full-on gospel choir. It sounds like it was recorded at the Crossroads in the presence of the devil himself.
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