The Burroughs continue to progress their sound while retaining some of the retro vibe that first captured the hearts of Northern Colorado: 70’s and 80’s musical tropes, a flirtatious female response chorus, loud synth and their 4-piece Stax-style horns. A rap from baritone sax player Hayden Farr adds a fun new bit too.
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As modern rock groups lean into synthesized productions, Denver’s Fast Eddy keeps the standard rock ‘n roll traditions alive in their new full-length album Take A Look. The album is fun, upbeat and packed with …
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When the phrases “prog metal” and “solo studio project” occupy the about section of a band’s website, a couple of red flags go up. But Zahari Tzigularov, a Bulgarian-born long time Denverite and the mastermind behind The Matterhorn Project, has used his studio time well. Though his musicianship is apparent, his artistry is front and center. The 5-song EP is at once lush and foreboding. Tzigularov’s compositions weave between sludgy bass-driven riffs, wandering clean guitar melodies and fantastical whisper-growled lyrics.
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Intimate and sexy, Branson Hoog’s nimble, close-up vocals evoke an alluring darkness. The NOT A TOY (fka Shatterproof) frontman employs deep and minimalistic beats on “No Vacancy,” the second release under his own name.
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Dropping realness like a reference to FaceTime helped folks relate to FoCo’s Co-Stanza (to the tune of nearly 2 million streams on “I Don’t Mind”) and by the sound of this hooky new toe tapper, Co-Stanza will continue racking up fans with each tick of the clock.
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Fort Collins based Crescent City Connection brings New Orleans flavor to the Colorado funk-rock scene with their new album Yeah You Right! Powerful rock organ, scratched rhythm guitar and horn lines infuse their niche sound with characteristics popular in Nola Brass and Dixieland traditions.
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It’s 2022 and yes, it’s possible that your garage band owns 100 synthesizers. Out January 20, “Cassi-o-Peia” pushes DEBR4H’s blipping to a full-on synth stomp at the outset, thickening things up to a dense sparkle as intricate as the Milky Way on the chorus.
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N3ptune’s RENAISSANCE is an appropriate title for an album by an artist who does it all: acting, singing, modeling, producing and performing. It is a birth of style that combines elements of trap, dark dance pop, and heavy blues rock and there’s nothing else like it.
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