Good music waits for no man, and pandemics make shit times for everyone, so what better time to release a sad-boy pop punk album?! Fort Collins-based The Sickly Hecks are doing just that with the …
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A Massachusetts native by the name 30 recently moved to Colorado to make the best of covid reality, releasing genre-non-specific singles in support of his full-length “Introspects Of A Psycho,” out October (yes) 30.
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Whether it’s your first time going on a hike since lockdown, or an anticipated camping trip, David Burchfield’s album “State to State” makes for a proper soundtrack to a mountain getaway. He combines elements of Americana, Country, and traditional Celtic to set the scene for a night around the campfire. Songs like the opening and title track show that this folk style is his fluent language.
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At the end of every show on his first tour as a solo artist, Kyle Emerson found himself exhausted. Emerson supported his first solo record, 2017’s Dorothy Alice, which he named for his late grandmother, with a lengthy tour.
Now, with his release Only Coming Down, Emerson focuses on the energy and connection with the crowd, bringing his more upbeat band shows to The Moxi Theater in Greeley on Thursday, February 20, presented by The Colorado Sound.
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Born from a young perfectionist’s downward spiral of indecision, ‘Overthinker’ is a confident, polished and mature debut from Swiss/American pop artist Liam Maye. Though he laments “I forgot who I was” in the EP’s first single “Note To Self,” it’s clear that his unique voice as an artist makes him who he is.
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The initial jaw-dropping shock one goes through at their first Paris Monster show is thus: how are just two people doing this? Josh Dion simultaneously sings unstoppably pure, mammoth-powered soul while drumming and playing keys, and the ominous bass murk and whine of feedback via Geoff Kraly’s electric bass wired through modular synth pulse hard. Dion’s pure, eloquent vocal soars in an open atmosphere of Kraly’s electro-arpeggios; making high art out of foggy funk.
The duo support Cory Wong at The Aggie on Halloween night as well as the Fox on November 1 and The Bluebird November 2.
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Pie Lombardi’s second album “Worry Lines” presents a somewhat autobiographical outlook. It’s a coming of age, but not quite a blossoming into the expectations set for oneself. “I’m trying to get into a bigger scope of just writing and not really thinking about what it’s supposed to sound like,” Lombardi says. “Worry Lines” releases January 25 with a Moxi Theater appearance supporting Neyla Pekarek.
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There’s a youthful power to Kaitlyn WIlliams’ lark-like breathiness. Her debut EP ‘Sunset’ reveals fun, Beyoncé-in-the-bathtub tones and vocal runs contrasting her stronger suit of vulnerable introversion a-la The Staves. Williams glides over electro-climaxes with cool touches of distant synth yowls. Slip into something more comfortable and prepare for a close, rewarding listen.
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