Album Review: Logan Farmer – A Mold For The Bell

November 9, 2022

Following in the Soft-Croon tradition of fellow Colorado folkers Covenhoven and Gregory Alan Isakov, Fort Collins’ Farmer paints with a palette of little more than acoustic guitar and vocal. But a flutter of woodwind textures, flecks of orchestral harp and thoughtful string arrangements elevate the album’s eight songs to a 10.

Fans of Bon Iver will love A Mold For The Bell, but expect a few unique brush strokes in this impressionist piece, namely, the pointed, trembling timbre of Farmer’s vocal: It’s hushed and rife with vibrato yet convinced with a determined grit.

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Album Review: Neoma – Hyperreal

June 3, 2022

Denver synth-pop resident Neoma brings her Ecuadorian influences to the Front Range with her new album Hyperreal. Her definitive style brings a welcome slice of musical diversity to Denver’s predominantly americana/rock scene, and her ‘sad-girl’ aesthetic doesn’t stop listeners from wanting to dance-it-up like they’re at the club.

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EP Review: Elektric Animals – Channels

May 2, 2022

Denver’s Elektric Animals ring in the summer via the upbeat rock sound of their new EP Channels. They guarantee that every song, no matter how few, is a bop you will dance to as the weather warms up.
“Come Clean” pulls listeners right in with a fast, dancy drum groove and rhythmic guitar and Nick Sanders’ gritty vocal is sent boiling into a fevered scream. If they haven’t already, 93.3 needs to put this track in their rotation now.

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Single Review: DEBR4H – Cassi-0-Peia

January 5, 2022

It’s 2022 and yes, it’s possible that your garage band owns 100 synthesizers. Out January 20, “Cassi-o-Peia” pushes DEBR4H’s blipping to a full-on synth stomp at the outset, thickening things up to a dense sparkle as intricate as the Milky Way on the chorus.

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Album Review: Magpie the Band – Under The Maple Tree

December 10, 2021

Folk trio Magpie the Band emerges into the Northern Colorado scene with their debut ‘Under The Maple Tree,’ featuring more Celtic and Eastern European sounds than the western Americana commonly heard in the Colorado scene. Balancing the amount of slow, introspective songs, and bouncy foot-stompers, the album plays like an intimate house concert put on by close friends.

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