The Greeley/UNC Jazz Festival is more than just a way to celebrate America’s original form of music. It’s a recruiting tool. The University is excited to bring the festival to its campus for the first time ever at the new Campus Commons venue. “We’ve been doing this for however many years without anyone seeing the campus,” said Michael Alexander, the director of the UNC School of Music.
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Julian Cary is a jazz artist, but he doesn’t allow the idea of what jazz should be interfere with his expression: On “heaven?indeed” he neglects traditional song form, adapting the music to fit the form of E.E. Cummings’ poems. The record retains a subtle honesty wrapped in moments of dynamic, tonal beauty.
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The UNC Greeley Jazz Festival is shaking things up once again this April. The 46th annual will be held April 21st-23rd, 2016. This event, according to the UNC festival website, “brings together internationally recognized artists, jazz lovers, award-winning clinicians, and over 250 college, high school, and middle school big bands, combos, and jazz vocal groups from across the country.”
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From Kansas City, Missouri to the farthest borders of Indonesia, renowned jazz soul singer Deborah Brown has been establishing footholds in contemporary jazz for over thirty years. Her discography expands 26 albums and as jazz is inevitably a list of collaborations, Brown’s book includes legends such as pianist Monty Alexander, trombonist Slide Hampton, double-bassist Red Mitchell and trumpeter Clark Terry among others. All big names aside, Brown has made her own path in jazz and although her music isn’t as prevalent on American radio, with good reason she doesn’t mind that her talent has a greater influence on the international jazz community.
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Chris Potter is no stranger to hard work and the nature of the beast that is the professional jazz world. With over fifteen album releases and 150 guest spots on records of some of the most prolific musicians in the industry (a list that includes Steeley Dan for all you non-jazz heads out there) Chris Potter sits in the top echelon of saxophonists in an ever changing and modernizing international scene.
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Recently, a viral video surfaced of a construction worker boarding a crowded subway train. He starts beat boxing, using a cardboard coffee cup to amplify the sounds coming out of his mouth. After some bewildered stares another passenger starts singing. And then another. And another.
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