LAWLESS LOVE: DNA Picasso & Dominique Christina

There’s something unmistakably powerful about watching artists at the height of their creative force. It’s not just about the songs or the poetry; it’s about the way everything they touch becomes an extension of their essence. And for Denver-based artists DNA Picasso and Dominique Christina, their new album LAWLESS: A Love Story is the truest […]

Album Review: Bryce Merritt: Chroma II

Last November, we spoke to Oklahoma native Bryce Merritt, a singer-songwriter and YouTuber, who had released his first album CHROMA I at the time. Growing up, Merritt had thought only country music existed since that’s all his parents listened to in the car, and began to write country songs. Upon getting his own car and picking his own stations, he discovered Motown and other genres which pushed his songwriting into a Pop direction. Merritt’s follow-up, CHROMA II, is a continuation into pop music, but it’s still a really good album.

Album Review: Kris Lager Band – Rise and Shine

Rise and Shine is another big step forward for the Kris Lager Band and offered fans a satisfying place to return to. This album proves they really know how to deliver solid blues and rock tunes, but it’s some of the funk and R&B tracks that don’t quite add up. I get it, they want to explore some different tunes and create something unique, but KLB fans know what they want and it’s the blues.

Bryce Merritt: Connecting Through Chroma

Bryce Merritt’s latest release, Chroma: I, effortlessly blends pop with elements of funk and R&B. He pulls his influences from artists ranging from Stevie Wonder to John Mayer, but it was actually country music that first got him into writing songs. “I grew up in Oklahoma and just based on what my parents listened to, growing up, the only thing that I knew existed, musically, was country music. They controlled the [radio] dial in the car,” recalls Merritt. He knew he always wanted to sing, so naturally he got his start writing country songs. “But then I got my car whenever I started driving in high school and I had control over the radio and I started discovering so much more music. The first thing I really got into was Motown,” he says, realizing that was the music that he wanted to make.

Album Review: Anderson Paak, Malibu

Equal parts illustrious and excessive, genuine and humble, Malibu builds on the boozy charm of Paak’s debut, Venice, doubling down on atmosphere and lush, live instrumentation.

Album Review: Night Beds— Ivywild

Following the success of his debut effort Country Sleep, Yellen gathered his go to collaborators, many of which appeared on his debut. This includes longtime friend and collaborator Benjamin Kaufman, Caleb Hickman (who plays a devilish sax throughout the record), and Yellen’s little brother Abraham, who plays producer on the record. Though the credits on the record reach just over twenty, Yellen credits this small group as the core of the project.

Atmosphere Speaks with the BandWagon About Their 8th Studio Album

By the sound of the new single, “Bitter,” on Atmosphere’s eighth official studio album, Southsiders, you’d never guess it almost didn’t make the record. In fact, it started off as a gag between Minneapolis-natives Sean Daley (Slug) and DJ/producer Anthony Davis (Ant).