Top Tunes Thursday: Coldplay — Adventure Of A Lifetime

November 12, 2015

The track is joyful in a resurgent kind of way. Driving leads and a surprisingly groovy rhythm for a pop band (let alone a pop band of such drear and atmosphere) cloud your mind like the smoke from a caterpillar’s hookah. It’s relentless and irresistibly toe tapping. Jam packed into their wooing, if not predictable, brand of pop are notes of Earth Wind & Fire, Phoenix, and fretwork from U2’s The Edge as well as modern pop titans, like Pharell, Justin Timberlake, and Daft Punk, especially the latter, considering their recent poppy-funky love affair. I feel the song chip away at winter’s frost, and as frontman Chris Martin heralds chorus after chorus of “I feel alive again!” I can’t help but agree.

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Top Tunes Thursday: Kurt Vile — Pretty Pimpin

July 30, 2015

Of all the musical instruments iconic to American music, the paramount would be the guitar. Although blues music originally came in the form of African spirituals and hymnals, it was changed forever when it met it’s six stringed soul mate. Rock n’ roll, arguably the most American genre there is, was built around the glistening tones of the 1957 Gibson ES-350 T. For Kurt Vile, Pennsylvania born indie rocker, the guitar is both the means and the end.

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Top Tunes Thursday: Ben Folds — Phone In a Pool / Capable of Anything

July 23, 2015

It’s been a long time since I was first introduced to the sonorous sounds of Ben Folds, but he’s still making music. This week, Folds released some of the first new material since his 2008 record, Way To Normal, which was followed with a college a-capella record, and a compilation album. The two singles, titled “Phone in a Pool” and “Capable of Anything” instantly remind me of what I found so appealing as a rolly-polly youngster, and what I still find appealing as a, well, rolly-polly not-so-youngster.

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New Music Monday: Mac Demarco — “The Way You’d Love Her”

May 18, 2015

“The Way You’d Love Her” is the lead single from Another One, the mini-LP scheduled for an August 7th release. The track doesn’t do much to push outside Demarco’s wobbly-kneed stoner yodels, but I’m not sure anyone wanted him to. I know I didn’t. “The Way You’d Love Her” features the same smiley strumming and light keyboard work we have come to expect, though the vocal ventures closer to earlier works from Rock and Rock Night Club. Demarco creates a lazy river with his melodies, which the listeners glide abidingly down. The author has an unusual knack for writing melodies that feel upbeat, while creating a sneaking feeling that the content doesn’t echo the sentiment.

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New Music Monday: Desaparecidos — City on the Hill

April 13, 2015

Love him or hate him (because it’s more than likely one of the two) Conor Oberst is one of his generation’s most eminent singer/songwriter, not to mention prolific. Most commonly known as the one man/band folk rock act Bright Eyes, his side projects include Conor Oberst and the Mystic Valley Band, Monsters of Folk, and Desaparecidos. The latter is a punk-rock band. As a fan of his works, I was a little surprised (and embarrassed) to find an Oberst project I hadn’t heard of. When the guy who turned me on to Bright Eyes told me about the single, I knew what I’d be writing about this week.

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New Music Monday: Alabama Shakes — Don’t Wanna Fight

February 16, 2015

In 2012, Alabama locals Brittany Howard, Zac Cockrell, Steve Johnson, and Heath Fogg released their debut album, Boys & Girls. What began as a trickle, soon became an unstoppable waterfall of fandom for the band. The album snagged them a Grammy nomination for Best New Artist, as well as a headlining spot at the awards in 2013. This week, Alabama Shakes has announced their wildly anticipated sophomore album, Sound & Color. “Don’t Wanna Fight” is a smoky, sexy take on the band’s trademark bluesy rock vibe.

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