“Time” is the final music video from Stay and Fight, the debut album from Windsor-born, Fort Collins rock trio Holdfast. It premieres exclusively via BandWagon today.
“We are all trying to beat the clock,” Holdfast. tells BandWagon. “It’s such a universal problem. We don’t have enough time – but what’s beautiful about that is we have to try our absolute best to fit what’s actually important in our lives.
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“‘Cuchito’ is a song about a cat. It’s kind of about my cat,” Christopher Castillo Bowers says. But Kiltro’s most recent single, holds more layers than the obvious, much like the band’s spry sound: an intricate mix of acoustic instruments, warbling vocal and polished dance grooves.
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“I’m terrified. The scope of this is insane and it’s going to be heavily publicized,” The Yawpers’ front man Nate Cook tells BandWagon. The last time he attempted a feat a quarter as intense, he stated: “I was absolutely certain I was going to die.”
This summer, Cook’s attempts a nation-wide, musicians charity bike ride stretching from Greeley Square in NYC, through Death Valley in August, to LA in September with live gigs along the way. With characteristic dark wit, he quips: “I’m concerned about failing, although, I feel like if I get hit by a car or something it will drive donations even more.”
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Longtime fans of Magic Beans keep coming back for their staple rock-funk sound, filled with high energy grooves and invigorating rock organ. Their new album, Slice of Life, still has that, but those fans might also cock their head in confusion.
Catch them live at The Beanstalk Festival on June 24 in Bond, CO.
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After a year, The Burroughs have re-emerged with a new video and single, “Zero Sum Game,” a first time songwriting collaboration between drummer Mary Claxton and frontman Johnny Burroughs. It marks Claxton’s official debut as a lead vocalist with The Burroughs. On one Saturday afternoon at Greeley’s huge, vacant Union Colony City Center stage, the video was filmed in a single, continuous shot, keeping focus on Claxton’s unbroken gaze as her environment seamlessly changes around her.
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Denver-based Mlady’s full length album Maladaptive Daydreaming feels like its title: an atmosphere of vivid dreams told by lead singer Hannah Beeghly, accompanied by washy, pop orchestration. The record favors reversed reverb and atmospheric textures …
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Over 63 days, Colorado Creative Industries (CCI), created a set of criteria, launched an application, administered the selection process and allocated just under $6 million to organizations and businesses state-wide including music venues.
“We were given the charge to distribute the funding as quickly as possible,” a CCI spokesperson told BandWagon.
This hasty allocation of public funds was met with cynical speculation from independent venue owners who were not awarded money.
Until now, the controversy over the grant has remained purely speculative. No one has pointed to specific evidence of nepotism or neglect on CCI’s part. But, thanks to the Colorado Open Records Act, BandWagon was able to obtain a copy of the scoring rubric used to evaluate grant applicants.
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When Ben Mozer was 14, he took a trip to Spain with his family. Across from their hotel, a theater was playing the newly released hit Pulp Fiction, which he and his brother had been unable to see in the U.S. due to its R rating. But what stuck with him after the movie was over wasn’t Samuel L. Jackson’s iconic monologue. What stuck with him was the theater.
Earlier this winter, Mozer’s Fort Collins movie theater the Lyric was one of the only venues in Northern Colorado that was still producing live music.
And Mozer isn’t the only one finding a creative way to amplify local sounds. This winter, Dan Mladenik has tapped local talent for the Mishawaka-produced Live on the Lanes series at Chipper’s Lanes, converting a bowling alley into a cosmic live music experience.
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