Tag: bandwagon

Music, Print, Reviews

Album Review: Young Habitat – In First Person Perspective

April 5, 2022

Music seldom tells you what to imagine in a concrete, absolute way. It requires you to fill in the gaps — sometimes thin, sometimes wide. Young Habitat’s debut EP In First Person Perspective, is a meditation on this idea.

Riley Sbarna and saxophonist Hayden Farr (Trash Cat, The Burroughs) have long riffed about a potential musical collaboration, but the inspiration to finally follow through came from an unlikely source: the pandemic.

Though In First Person Perspective retains the emotional vulnerability of Sbrana’s previous work, the sonic landscape is a left turn. Understated vocals often devolve into heavily affected opacity. The instrumentation is reminiscent of lo-fi hip hop with frequent saxophone odysseys provided by Farr. It’s one part contemporary Bon Iver and one part Porches with a sprinkle of neo soul. It’s both melancholic and beautiful. 

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Music, Print, Reviews

Album Review: Kaitlyn Williams – Under These Lights

April 4, 2022

“Under These Lights,” the new album from Denver’s Kaitlyn Williams, walks the line between neo soul and music for the masses, departing from the bedroom pop she showcased in her 2019 album and subsequent singles. A contributing factor to this shift in style is the live recording, which leaves less room for glittery production and more room for natural musicianship.

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Features, Print

Corb Lund: Country Muse, Clean Water and Frontier Justice

March 11, 2022

Corb Lund is the son of a ranching family that goes back eight generations in Southern Alberta. If he can tell you something in three words, he won’t use 20. “Pretty country,” was all he needed to say in an interview with BandWagon to evoke the rolling sage brush on his family’s ancestral homestead. 

While Lund may be conversationally economical, he is lyrically verbose. Over the course of twelve full length LPs, he has become one of Amercana’s most beloved songwriters; lyrically and sonically a modern embodiment of life on the range.

Last May, the Alberta provincial government rescinded a 1976 ban on open-pit coal mining on the slopes of the Canadian Rockies which threatened to scar the landscape and taint the water of nearby communities.

“It pissed off everybody up here, not just the lefties — ranchers, hunters and the first nations people,” Lund said. “It affects the water I drink. This was too egregious to let go.”

Lund collaborated with other Canadian musicians to re-record his 2009 song “This Is My Prairie,” in protest. A few months later, the government backed down and even introduced new protections.

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Music, Print, Reviews

Album Review: Thom LaFond – The Moon Leans In

March 8, 2022

Nederland, Colorado’s Thom LaFond is most well known as the guitarist and singer in Denver’s four-piece gypsy jam rock outfit Banshee Tree. But on this, his debut full-length, he lets his inner voice shine.

Close, acoustic and intimate speckles of piano, pizzicato violin and nimble upright bass frame his hushed, masculine baritone with gorgeous minimalism; a composition on par with a Kandinsky.

“Did they take the moon you were after and give it back piece by piece?” the record’s first lyric asks, initiating a song and an album dense with gorgeous prose, artful arrangements and beautiful music.

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Features, Print

You Can’t Bullshit Metal Fans: Soulfly’s Max Cavalera

February 18, 2022

“Little by little, my own tastes came through for Soulfly,” Max Calverra tells BandWagon. “As I get older, you’d think I’d get more mellow. But I like the heavier and heavier stuff. When you get older, you play what you like. You play what you feel.”

“Riffs are my church,” he said. “That’s my paradise. I will spend hours riffing on the guitar and just chugging on the guitar. I call it Chug Life. When you finally find a killer riff, man, it’s like you’ve won the lottery.

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Music, Print, Reviews

Album Review: One Peace – A GLORIOUS ONE

February 8, 2022

A GLORIOUS ONE from rapper One Peace finds itself at the crossroads of trunk-knocking production, emotion-soaked sampling, and vivid, unapologetic songwriting.

Released on independent Fort Collins-based record label Lion League Music, it’s a nostalgic yet relevant album that feels as diverse as it does cohesive. Sonically, it could stand in as the score to a Tarantino flick or the tracklist for a forthcoming Grand Theft Auto radio station with OP’s speaking voice alone commanding more presence than the average MC yelling full volume into the mic.

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