Since their beginnings, The Unlikely Candidates have toyed around with a slew of different sounds, despite charting more than once in Billboard’s Alternative Rock category. “We’ve Always been influenced by bands who weren’t stuck on one particular sound,” Kyle Morris Says. The Unlikely Candidates play The Moxi Theater on March 3.
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During a rare quiet moment the “Dave Cave,” a basement devoted to metal music, members of Open Fire remember the day Dave MacKenzie sent out the news that his son, Tyler, was killed in Iraq in 2005. Just two months before, they’d had so much fun playing their first big gig before thousands at the first “Thunder in the Rockies.” This month, Open Fire play their 14th anniversary show Saturday, January 26 at The Moxi Theater.
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Death Or Devotion, The Motet’s ninth album, showcases the band’s reverence for the funk tradition through masterful execution of the style. Each track exudes booty-shaking energy, thanks to airtight grooves from the rhythm section, crisp but nasty horn lines, and soulful vocals. Catch them January 11 and 12 in Aspen and Telluride and at Red Rocks this summer.
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Keep Your Candles Close By is sonically, emotionally intimate and thematically concise, teasing at something we won’t see pan out. Some strife within the band Igaus Davis has lead to this being their final release, creating sonically solemn vignettes of despair and resignation.
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“From soft and subtle, gradually building with spacey synth leads to an all-out head bang, complete with a Gilmour-esque guitar solo and vocal effects spiced in for grungy flavor.” Stream the exclusive premiere of Paper Crane below, read the full review HERE and catch Chess At Breakfast Saturday, December 1 at Magic Rat in Fort Collins with Bright Silence and December 6 at The Moxi Theater in Greeley.
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With Paper Crane, Chess at Breakfast stay true to their blend of atmospheric psychedelia and gut-hammering riffs, paired with lyrical themes of despair, angst and fantasy. The band goes on a musical journey from soft and subtle, gradually building with spacey synth leads to an all-out head bang, complete with a Gilmour-esque guitar solo and vocal effects spiced in for grungy flavor. The track ends with a satisfying glam-rock supernova for its climactic finale.
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On their 9th studio album, Death Cab For Cutie continues the sound that started bringing them fans 20 years ago. Rich Costey’s ethereal production keeps Ben’s light & dream-like vocals out front so we can hear the nuances in his thought-provoking lyrics.
Brooklyn’s Josh Karpeh (aka Cautious Clay) is a 25-year-old artist with a very clear sonic vision. He made a splash earlier this year with his debut EP Blood Type and a quick follow up with the Resonance EP in June.
Charley Crockett is a troubadour in the truest sense of the word. Crockett left home in his teens, hopping railroad cars and busking on the streets to earn his keep. He even spent a year in Paris before returning to his native Texas.
In the late 90’s and early 2000’s, The Rock*A*Teens were a band you liked so as to be cooler than your Pavement & Liz Phair-loving friends. Over their 5 albums, no band has combined the ethos of indie rock, rockabilly, and punk better. Hailing from the thriving music neighborhood of Cabbagetown in Atlanta, GA, their influence has been crucial to indie rock.
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I Am The Owl’s newest release is for longtime fans of the Fort Collins punk/metal band and new listeners alike. Recorded at the Blasting Room, a heavy hitting local recording studio readers should familiarize themselves with (if you haven’t already), A Mission to Civilize: Part II rips. Fans of the hybrid genre will dig the searing guitars and signature “tight, but huge” drums.
Following up their first release, A Mission to Civilize: Part I, the new drop expands on I Am The Owl’s galvanizing sound with much-welcomed production value increase. Fans of local DIY punk rock, don’t let that turn you off.
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