It’s 2022 and yes, it’s possible that your garage band owns 100 synthesizers. Out January 20, “Cassi-o-Peia” pushes DEBR4H’s blipping to a full-on synth stomp at the outset, thickening things up to a dense sparkle as intricate as the Milky Way on the chorus.
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“This isn’t the normal, like, girl-joins-the-band story,” DEBR4H’s Jed Murphy tells BandWagon. “I was really kinda hitting the end.”
Murphy’s dead-end feelings were palpable to his audience and especially to his romantic partner. “Kayna literally got tired of going to shows and just sitting there,” Murphy laughs, “so she joined the band.”
But it’s not that simple. “It’s more about having a team,” Murphy says, citing DEBR4H’s newest single “The Court Of Richard II” as a turning point, with synth modulations atop an ever-steady beat, while stabs of disoriented Kraftwerk-keyboard undercut Murphy’s Morrisey-like monotone.
“Richard the 2nd was a boy king. He did whatever he wanted. Then he’s overthrown and they starve him to death. I really liked that idea: have whatever you want, but it can turn bad.”
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Moving forward takes change. Luckily for indie synth pop fans, Jed Murphy did just that. He stepped down as editor of BandWagon Magazine, fell in love, moved to a different city and extinguished the torch he held for his band Futurebabes. Kind of. Bringing his girlfriend, vocalist, keyboardist and designer (yes, your band needs a designer) Kayna Hobbs into the creative fold, the two re-branded as DEBR4H.
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