I’ll admit, I judged this book by its cover; the album cover, that is. Expecting some sort of sloppy metal, I braced myself for what I might hear. I could not have been more wrong. Jalbert commands the mic from first to last. The vocal that came as coy in Loyola loses the cuddle in favor of something more listless, lilting, and sardonic. The change is apparent in the instrumentation as well, which sports a fuzzy coating of 60’s psych, and sunny 70’s pop. The effect is something close to The Zombies meets Kimya Dawson, without any of the kitch.
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