Tag: moxi theater

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Joshua Ray Walker: King Of The Honky-Tonk Misfits

April 8, 2022

Joshua Ray Walker’s role model for his hit “Sexy After Dark” was not Tim McGraw, Billy Ray Cyrus or Keith Urban. It was Conway Twitty.
Twitty, Walker said in a phone interview with BandWagon, was sort of a goofy guy who managed to sing some of the most romantic songs in country music. It’s not like Twitty belonged on the cast of Hee Haw, but he wasn’t Elvis. One of the intentions of “Sexy After Dark,” Walker said, was to pay a backhanded but lighthearted tribute to all the people like Twitty.

“There’s a history of country crooners who aren’t sexy – putting out sexy songs,” Walker said. “‘Slow Hand’ is one of my favorites. Twitty is so goofy-looking, but he sold it. He really sold it.”

The other intent, Walker said, was to poke fun at himself. He knows he’s also not Elvis.

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Corb Lund: Country Muse, Clean Water and Frontier Justice

March 11, 2022

Corb Lund is the son of a ranching family that goes back eight generations in Southern Alberta. If he can tell you something in three words, he won’t use 20. “Pretty country,” was all he needed to say in an interview with BandWagon to evoke the rolling sage brush on his family’s ancestral homestead. 

While Lund may be conversationally economical, he is lyrically verbose. Over the course of twelve full length LPs, he has become one of Amercana’s most beloved songwriters; lyrically and sonically a modern embodiment of life on the range.

Last May, the Alberta provincial government rescinded a 1976 ban on open-pit coal mining on the slopes of the Canadian Rockies which threatened to scar the landscape and taint the water of nearby communities.

“It pissed off everybody up here, not just the lefties — ranchers, hunters and the first nations people,” Lund said. “It affects the water I drink. This was too egregious to let go.”

Lund collaborated with other Canadian musicians to re-record his 2009 song “This Is My Prairie,” in protest. A few months later, the government backed down and even introduced new protections.

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Music, Print, Reviews

Album Review: Dead Man’s Alibi

March 10, 2022

Fort Collins-based Dead Man’s Alibi keeps a post-grunge metal sound while tossing in some blues on their debut. They have a classic early 2000’s sound, with some Alice in Chains mixed in on tracks like “Hole In A Hat,” and “Lowly Saint” which feature roaring guitars and rowdy drum grooves.

The vocals show some grit but shy away from the screaming and growling most bands these days employ. Epic guitar solos call up Judas Priest, but what makes Dead Man’s Alibi cool is the blues influence in their sound.

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Right Back Into It: Ben Pu Stays True

March 2, 2022

At the end of most of his gigs, and in conversations with other musicians or friends, Ben Puchalski gets the question: “Dude, why aren’t you bigger?”

Puchalski, these days, answers with a shrug, and that’s not because he’s a little tired of answering it, even though, truth be told, he kinda is.

“You always try to increase your fan base no matter how long you’ve been doing it.”

“I’ve had a lot of good fans, especially through the pandemic,” he said. “They really kept me afloat. They still come out. It’s unfathomable.”

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You Can’t Bullshit Metal Fans: Soulfly’s Max Cavalera

February 18, 2022

“Little by little, my own tastes came through for Soulfly,” Max Calverra tells BandWagon. “As I get older, you’d think I’d get more mellow. But I like the heavier and heavier stuff. When you get older, you play what you like. You play what you feel.”

“Riffs are my church,” he said. “That’s my paradise. I will spend hours riffing on the guitar and just chugging on the guitar. I call it Chug Life. When you finally find a killer riff, man, it’s like you’ve won the lottery.

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The Collection: Better to Get Lost Than Never to Have Lived at All

February 11, 2022

On the last day of 2021, David Wimbish, a millennial, posted a viral video on TikTok. It’s is a perfect snapshot of what The Collection does best. The instrumentation is catchy and Wimbish inhabits the unambiguous emotion of the song with his vocal performance. The lyrics are intense, vulnerable and painfully relatable (“another lockdown stuck inside this shit town I can’t find a way round my intrusive thoughts now”). 

“I went from someone who was trying to please everyone, to someone who is outspoken about my sexuality,” Wimbish told BandWagon later. “Why are you so afraid of pleasure,” he sings in their new single ”Get Lost,” and this celebration of pleasure is on full display at the Collection’s live shows. Wimbish twirls his mic stand theatrically from among the folds of flowing white clothing and band members bounce around the stage wildly during instrumental breaks. Huge grins and perspiration are the band’s unofficial uniform.

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Common Ancestor: LowDown Brass Band’s New Hotness Has Roots

February 10, 2022

“LowDown Brass Band has roots in the Jazz education world,” MC Billa Camp tells BandWagon, “but the Jazz education world has the habit of treating Jazz like an island. As if – Jazz isn’t birthed from the same struggle as Hip Hop. As if they are not Black father and son, born fighting the same fight.” 

Lowdown Nights, the latest and most future-leaning record from LowDown Brass Band, was appropriately released during Black History Month. It takes things further out of the pigeonhole and into the pan-genre stage, using the history of the African American experience as its guide. 

Especially with the hit single “Be The One Tonight,” they go mainstream – and that’s a good thing. The collective has enough talent within its ranks to deliver a show with as much variety as Beyoncés 2018 Homecoming at Coachella. It’s the multi-lingual, multicultural, multi-genre kind of mainstream pop and dance music that encapsulates the musical stew of 2022.

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Writing at the Helm: Hunter James & The Titanic on the Creative Process

February 2, 2022

“A lot of bands say ‘well, we can’t box ourselves into a specific genre because we play funk and jazz and rock or whatever,’” Hunter James & the Titanic says. “It’s nice to be in a band that says, ‘we play rock and roll 109% of the time.’”

Hunter James & the Titanic refuse to be lured into the post-genre vortex despite that impossible percentage and their lineup of eclectic players. They play Americana — no caveats. Well maybe a couple.

“I really wanted to have this band feel really focused.” Hunter James explained. “But, there’s something inside of me that won’t let me just write like that. But, we always sound like us no matter what.”

In just three years, the band has put out an EP, five singles and two full-length LPs. Their latest album, 2021’s La Liberté, finds the band settled even deeper into a roots rock sound.

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