It was written by a busker, in a closet, for a few friends at a youth hostel but somewhere on Planet Earth in the last three years, you’ve heard it.
The song is “Dance Monkey” and the number of times it has been streamed online is literally incalculable.
“I didn’t write that song to release at all,” Toni Watson aka Tones And I tells BandWagon. “I lived at a hostel. Like – I’d parked my van there, I used the showers. I played that song for a year on the street before I decided to release it.”
Now, for the first time, the one woman wonder is ready to collaborate – with her musical hero Macklemore, of course. “It’s just the most perfect track for both of us,” Watson says.
And she will finally release her first song ever about love. “I don’t mean to, but I’ve actually never written a love song,” Watson says. “I just don’t feel like I’d ever really known what it is.”
“Madison & Angelus is a garage rock EP because it’s rock and roll. And it was literally recorded in a garage in LaPorte, Colorado,” Bevin Luna says. True to the garage band ethos, the 6 tracks mesh originals, covers and co-writes with big, fuzzy guitars, overdriven vocals and bashing drums. But the garage has a heart and some depth behind its door. Much of the writing discusses the turmoil of being a musician in the digital age, and as Luna puts it: “In the middle of a pandemic sandwich: never knowing where to begin or if it’s ever going to end – constantly trying to reassure ourselves that everything was gonna be OK.”
People in General are making the leap. Since their first release Piglet in 2019, the trio has grown into a full 8 piece band with horns, extra vocalists and more. The sounds on the new EP Friends are more mature, with bigger, fuller arrangements. But the shift isn’t only because the band is suddenly all grown up. Like it or not, the vocalist is the most identifying element of any band, and People in General have changed that up too.
If André 3000 playing a Mayan double flute for your band’s movie score isn’t proof that the multiverse exists, we don’t know what is.
But it exists. And there’s so much more. André, Moses Sumney, Randy Newman, Mitski, and David Byrne are among the guest artists Son Lux acquired for what became a 49-track film score with more musical ideas than one universe can hold.
Son Lux (Ryan Lott, Ian Chang and Rafiq Bhatia) have been making music from their own universes for years. In 2019, they were contacted by film directing team Daniels to score their mind bending, multiverse movie ‘Everything Everywhere All at Once.’ It was a match made in multi-heaven.
Now on tour supporting their recent, triple album ‘Tomorrows I, II & III,’ Son Lux bring an organic approach to represent their cinematic, layered and dynamic music.
“It is SO FUN,” cellist Joy Adams says of Big Richard. “We’re always laughing until we cry, and there’s no competition. It’s just genuine, supportive fun.”
Big Richard formed specifically to be the token all-female band at McAwesomefest in Colorado in May of 2021. Lucky for fans of bluegrass, authentic vocals and a little something different, what started as a token quickly alchemized into gold.
“LowDown Brass Band has roots in the Jazz education world,” MC Billa Camp tells BandWagon, “but the Jazz education world has the habit of treating Jazz like an island. As if – Jazz isn’t birthed from the same struggle as Hip Hop. As if they are not Black father and son, born fighting the same fight.”
Lowdown Nights, the latest and most future-leaning record from LowDown Brass Band, was appropriately released during Black History Month. It takes things further out of the pigeonhole and into the pan-genre stage, using the history of the African American experience as its guide.
Especially with the hit single “Be The One Tonight,” they go mainstream – and that’s a good thing. The collective has enough talent within its ranks to deliver a show with as much variety as Beyoncés 2018 Homecoming at Coachella. It’s the multi-lingual, multicultural, multi-genre kind of mainstream pop and dance music that encapsulates the musical stew of 2022.
Zachary Williams, whose powerful voice drove him out from the Brooklyn Bar4 open-mic world and onto the international stage, is best known as the belting leader of The Lone Bellow. His new solo record Dirty Camaro is indeed an escape from that band’s gravity; one that’s weird, head-turning, soulful and fresh.
Williams says “I’ve wanted to do it for a long time – really, right after Jim James from My Morning Jacket released his solo record.” He says James had “graciously come out to a couple of my shows,” and the two connected.
What began as a two day trial session resulted in the full length record. The album is rich with expert pedal steel guitar, orchestral strings, saxophone and a Texas-band backbone that really cooks.
Intimate and sexy, Branson Hoog’s nimble, close-up vocals evoke an alluring darkness. The NOT A TOY (fka Shatterproof) frontman employs deep and minimalistic beats on “No Vacancy,” the second release under his own name.