“Sweep Me Up” premieres via BandWagon today, and it’s a black lipstick affair. Goth Club’s third release, it sinks to the half-spoken, sultry depths of Monster Magnet’s “Paradise” or even Ramstein with an added layer of synths and old-school drum machines akin to an early Depeche Mode. McFadden looks directly into the black mirror on “Sweep Me Up,” finding shadows, distortion and sludge within it.Continue reading
Stop sifting for obscure ‘70s soft-pop on Spotify playlists like “candle-lit living room slow dance” and buy Jess Parsons’ “Hear Me Calling.”
Denver’s Parsons knows well that charm and honesty go a long way. Often compared to Fleetwood Mac, she finds her true groove somewhere between Jenny Lewis, Aimee Mann and the disco side of Feist on her new EP “Hear Me Calling.” The record has a core of sweet, singer-songwriter sincerity, but keep a spot on your dance card free for that special someone, because it’s got hips.Continue reading
Antonio Lopez’ voice sits delicately perched at the center of his fourth full-length release, Roots & Wings. The fragile purity of his vocal delivery as the record’s focus proves a point: When given a proper chance, an honest voice can rise to previously un-reached heights.
As the executive director of the music/empowerment nonprofit Sound Bridge and having funded Roots & Wings via Kickstarter, Lopez knows well that respectful contributions from those who back you is a gift as precious as family and as freeing as flight.Continue reading
A Massachusetts native by the name 30 recently moved to Colorado to make the best of covid reality, releasing genre-non-specific singles in support of his full-length “Introspects Of A Psycho,” out October (yes) 30.Continue reading
Denver’s Joel Ansett says he finally noticed how much emotional energy he spent on “just trying to be liked. It’s so childish,” he tells BandWagon, “but it turned into a habit; just how I would function in social settings.”
“Ease” is about non-approval-based friendships, but it’s deserving of high praise.Continue reading
Pervasive feelings of extreme unknown lurk in the consciousness of most citizens on planet earth these days, which is why the similarly intangible music, soundscapes and dark, thrilling emotions on the concept EP Kenopsia hit so hard. A brilliant and concise collaboration between Denver-based R&B hip-hop vocalist Kid Astronaut and producer Psychologic, the record’s pop sensibilities are balanced by an epic, dystopian sense of drama and purpose.Continue reading
My Dog Ate Chad is exactly what it should be. A conglomeration of 5 flanneled friends from high school throwing their influences at the wall to see what sticks. They’re looking for their true identity on their full-length debut Krakatoa with wide eyes, open ears and loud-ass guitars.Continue reading
With top production, austere turn of phrase and beautifully transparent melodic construction, “Walk In The Park” by Slow Caves sparkles with the slow motion lens-flare of memories you haven’t even made yet.
Riff-heavy with the pizzaz and swagger of the White Stripes, The Beeves’ new single “Playing Bingo” highlights the proper rock yelps of vocalist Ian Ehrhart and the grooving instrumental playfulness of bassist/vocalist Margot Sease and drummer Will Ehrhart.Continue reading