Tag: Foco music scene

Music, Print, Reviews

Album Review: Big Brooklyn – Everyone Everywhere

March 9, 2022

Denver based Big Brooklyn begs the question “what is jazz?” with their new album Everyone Everywhere, in which every track dips a toe into different sub-genres underneath the jazz umbrella. 

They have enough “straight ahead” stuff,but they also share some funky fusion you might hear from Herbie Hancock’s Head Hunters era. Their incorporation of Melody Dornfeld on clarinet (and bass clarinet) lends a quirkier sound for a group that doesn’t focus on gypsy jazz or 1920’s repertoire.

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Music, Print, Reviews

Album Review: One Peace – A GLORIOUS ONE

February 8, 2022

A GLORIOUS ONE from rapper One Peace finds itself at the crossroads of trunk-knocking production, emotion-soaked sampling, and vivid, unapologetic songwriting.

Released on independent Fort Collins-based record label Lion League Music, it’s a nostalgic yet relevant album that feels as diverse as it does cohesive. Sonically, it could stand in as the score to a Tarantino flick or the tracklist for a forthcoming Grand Theft Auto radio station with OP’s speaking voice alone commanding more presence than the average MC yelling full volume into the mic.

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Print, Reviews

Album Review: People In General – Piglet

December 6, 2019

People In General is a self-described jazz-pop band out of Fort Collins, though their new record ‘Piglet’ is no One-Note-Samba. Delivering complex sound behind the cutesy lyrics guitarist Abe Dashnaw sings, the trio deftly use the technicality of their compositions to draw the listener in without being heavy and pretentious.

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Features, Print

The Blasting Room: FoCo’s Punk Rock Heart Beats For 25 Years

November 11, 2019

The Blasting Room didn’t start with a Big Bang, as you might expect, but a drunken nap. The engineer for one of the Descendents’ mid-80s records fell asleep at the recording console. As he snored, Bill Stevenson, the band’s drummer, rolled the engineer’s chair out of the way to work the dials himself. 25 years later, the studio he built with Jason Livermore has become a punk rock recording institution, producing pop and folk records too. But the heart of the original Blasting Room still beats like a punchy snare, a place where young bands make their punk rock dreams come true.

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