Milquetoast Renditions A Timeless Classic On “Nights In White Satin”
Frontman James McAndrew and bassist Dan Zangari from the Denver-based sextet Milquetoast & Co. were out on the golf course when they spoke with BandWagon Magazine about their nostalgic new single, “Nights in White Satin.” “We come out here and just swing at things we don’t understand. And that’s life.” McAndrew, Zangari and the rest […]
Album Review: Musuji – Blanket Statement
To say that Musuji’s reputation precedes them would be an understatement. Known for their “wild with madness” moniker, Musuji mash together layer upon layer of sound and energy to create their own blend of funky, intense indie rock that is equally as chill as it is disastrous – and that’s in a good way.
Album Review: Fast Eddy – Take A Look
As modern rock groups lean into synthesized productions, Denver’s Fast Eddy keeps the standard rock ‘n roll traditions alive in their new full-length album Take A Look. The album is fun, upbeat and packed with influences from classic rock, hard rock and 2010’s alternative. After three years of recording bits of the album in Atlanta […]
Album Premiere: Bellhoss – Geraniums
Geraniums, Bellhoss’ debut record, premieres today via BandWagon Magazine!
The ennui of this 7-song bummer-rock collection engages without dragging it’s heels; a credit to Becky Hostetler’s honest, forward-leaning twang which distinctly brightens up the mid-tempo telecaster sway throughout, bringing to mind Pinegrove, ALVVAYS, and even Kurt Vile in feel and frankness.
Album Review: Ethyl and the Regulars – Honest Work
Ethyl and the Regulars’ new album “Honest Work” is a reflection of just that – a mature Americana sound grounded in tradition, yet they incorporate jazz elements including a Thelonious Monk melody as a thematic tool for instrumental conversation.
Album Review: Pedro The Lion – Phoenix
After the release of Pedro The Lion’s 2004 record Achilles Heel, the term “emo” would be weaponised as a slur—by outsiders and longtime acolytes alike—and earnest and plaintive music was largely cast aside for the irreverent, angular, and abstract indie rock that would define much of the next decade. Fifteen years after the band’s last release, hordes of music listeners will gather in front of stages throughout 2019 t(including The Bluebird Feb 10) to see Pedro the Lion in support of its long-anticipated return on Polyvinyl Records.
Album Review: Modern Leisure – Super Sad Rom-Com
Modern Leisure’s Super Sad Rom-Com is a chilled-out / bummed-out illustration of a songwriter’s studio apartment life. Having departed from former Denver bands The Outfit and Shady Elders, mastermind Casey Banker “wanted to express the loneliness and euphoria of being a guy living in a semi-big city in my 20’s.” Made layer by layer and then re-recorded from scratch, the resulting collection of mid-tempo dream-folk jams make us want to hit the beach and text our ex with a Bluetooth boombox and ice-cold LaCroix in hand.
Slow Caves – Poser / Rover 7″ Release
Slow Caves evoke a depth of maturity that belies their youthful, blonde, surf-rock appearance. Their freshly squeezed 7-Inch release Poser / Rover stays the chilled-out course for the Denver/Ft. Collins quartet’s consistent brand of loveable, lilting slack-rock.
Poser / Rover sets cruise control smack-dab between Morrissey and Ric Ocasek era Weezer, with both tunes coasting in at a steady 135 bpm. It’s just enough drive to let your hair blow in the breeze – like a Mac Demarco tape was in the deck as you drove down Colfax to Poser / Rover’s release show a few Fridays ago.