Bones Muhroni and it’s figurehead Crew Rienstra have been a lot of things over the years: cheeky, folksy, a touch uncouth, but always a good time. Triquetrum is the happy and painful accident that, in my opinion, gave us his best music to date. It has some of the country quality old friends and fans of Bones have come to love on “The Ballad of Clifford Griffin,” but musically Rienstra has clearly moved beyond that being his primary sound.Continue reading
In Between, the debut album from Fort Collins trio Glass Cases, strives to relate to the band’s own demographic: a generation disillusioned with adulthood. Combining elements of synth-pop and alternative rock, Glass Cases create a vibe that’s both interesting and marketable. With rapid, spoken-word, and sung vocals that shine like Keane, Glass Cases’ topically relevant lyrics about social media and insecurity hit close to home for any millennial or gen Z-er.
The band’s originally planned release show at Red Rocks Amphitheatre March 21 was to be their debut at the famed venue, but has been cancelled due to coronavirus precautions.Continue reading
Even when Denver’s Oxeye Daisy steps out of the box from the feel of their newest EP ‘They Say You’re A Demon,’ they find ways to integrate new textures without sacrificing the dark, spacey vibe. Straying from the dreamy atmosphere by evoking Dick Dale playing punk, Lela Roy’s fearless wails embellish the band’s frantic tension until it floats off to vivid, dreamy Pink Floyd territory mid way. Catch them at Bohemian Nights August 10th in Fort CollinsContinue reading
Pie Lombardi’s second album “Worry Lines” presents a somewhat autobiographical outlook. It’s a coming of age, but not quite a blossoming into the expectations set for oneself. “I’m trying to get into a bigger scope of just writing and not really thinking about what it’s supposed to sound like,” Lombardi says. “Worry Lines” releases January 25 with a Moxi Theater appearance supporting Neyla Pekarek.Continue reading