What sets Eric Riley and Nate Valdez apart from other heavy acts isn’t their musicianship (though it is excellent) but their ability to translate unflinchingly raw moments into music. Starting with INTHEWHALE’s last EP, Dopamine, the band’s tone shifted from the sophomoric humor of their earlier releases to brutally honest explorations of the darker moments of life. These explorations continue on Vanishing Point. The band wrestles with pharmaceutical addiction, suicidal ideation and gentrification. The pain and anger is palpable.
Continue readingINTHEWHALE Gets Real on Vanishing Point
