Birth, Death and Time In The Sun: SUSTO’s Justin Osborne Finds new Dimesion

September 12, 2022

“There were ravines growing between me and people in my life,” Justin Osborne tells BandWagon. “And with COVID, everybody got pushed back together. Some of those changes had to be faced head on.”

Osborne is the commandant of North Carolina’s Susto and he’s just gone through some of the most intense years of his life.

“If humans are dimensional,” he says, “there’s a whole new dimension of myself that was awakened.”

Susto’s sound sits between Americana, psych-pop and the indie-rock church of rootsy folk. A mix of satire and earnestness adds a roughness; a raised eyebrow setting it apart from rural radio. Its dark, drug-influenced sentimentality and staunch idealism is, at its heart, just barefaced American songwriting.

“There were a lot of attempts at reconciliation – my own beliefs with how I was raised,” he says. “I’m trying not to disrespect,” he says, “but to participate in these big life events.”

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Permission to Shine: Shinyribs’ Kevin Russell Goes Big

August 24, 2022

Kevin Russell was nearing age 40, and given the upheavals in his career, should have been facing the clichéd mid-life crisis. Instead, he gave himself permission to be himself.

He left a band he’d played with for nearly 20 years, to focus on Shinyribs.

“The odds were against me for sure,” Russell said in a phone interview with BandWagon, “But I felt like I had to do it. It was a now-or-never kind of feeling. It was a gamble. But it was so great. We are now an instant party – wherever we go.” 

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How The Arcadian Wild was Loved Into Being

June 9, 2022

The Arcadian Wild really listen. You can see it in their patience with fans, their gentleness with each other, and most of all in the cohesive interplay of each melodic line in their music. Like mycelium spreading nutrients throughout a forest, each individual is inseparable from the whole.

The band began in an impromptu post-choir-class jam session in 2013. The lineup has shifted so often over the years that founding member Lincoln Mick refers to the band as a “revolving door,” but he remembers the band’s five-or-so departed members with much more sweetness than bitterness.

“To take a turn of phrase from Fred Rogers, so many people have ‘loved this band into being’ over the years,” he told BandWagon.

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Blast N’ Scrap is Back on Track

May 17, 2022

Blast N’ Scrap has become the de facto community hub for underground music in Fort Collins, but the organization does far more than event production. Its projects include a 6-week theater program for school kids, weekly screen printing classes using sustainable and recycled materials and Band Blast Off, a music education program teaching professional skills to aspiring musicians ages 7 to 17.

The prolific volume of Blast N’ Scrap initiatives is due, in large part, to the scruffy 38-year old at the helm. Michael Gormley is bursting with ideas.

And though Blast N’ Scrap events now include established local bands, Gormley adamantly says they will always be there for local bands to play their first show.

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Son Lux Scores Everything and Frees Up Their Tomorrows

May 11, 2022

If André 3000 playing a Mayan double flute for your band’s movie score isn’t proof that the multiverse exists, we don’t know what is.

But it exists. And there’s so much more. André, Moses Sumney, Randy Newman, Mitski, and David Byrne are among the guest artists Son Lux acquired for what became a 49-track film score with more musical ideas than one universe can hold.

Son Lux (Ryan Lott, Ian Chang and Rafiq Bhatia) have been making music from their own universes for years. In 2019, they were contacted by film directing team Daniels to score their mind bending, multiverse movie ‘Everything Everywhere All at Once.’ It was a match made in multi-heaven.

Now on tour supporting their recent, triple album ‘Tomorrows I, II & III,’ Son Lux bring an organic approach to represent their cinematic, layered and dynamic music.

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Horse Feathers: The Endearing Nature of Justin Ringle’s Earnest Sound

May 5, 2022

Horse Feathers’ spin on traditional folk and Americana spans barn dance to backyard reverie, airy ballads to full-blooded country jigs.

Justin Ringle launched Horse Feathers shortly after moving to the Pacific Northwest at a time he says “all the cliches from Portlandia were being developed.” Rent was cheap and you just needed a shitty job to keep your creative aspirations afloat.  
  
“It was really less preposterous for me to try to become a professional musician than it was to get a job in graphic design at the time,” he said. Though dispelling any romantic notion, Ringle points out, “There was really high unemployment in Portland and it was just kind of tough going. Everything was really close to the bone.” 

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Goatwhore: With a Vengeance

May 4, 2022

Even with a name like Goatwhore, there’s room for subtlety.

Yes, there are Satanic overtones in Goatwhore’s lyrics — duh — and their music reflects it, with the kind of hardcore black metal crunch you’d expect in the drums, guitars and, of course, the vocals (also duh). But the last record’s lyrics come from a concept album, Vengeful Ascension, which portray Lucifer as an underdog slighted by a God who was equally oppressive.

L. Ben Falgoust II, the band’s singer (and keeper of one of the best metal monikers in history), uses historical references to color the themes, but Zack Simmons, the drummer, likes to apply the lyrics to real life.

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Album Review: Anthony Ruptak – Backrooms

April 26, 2022

Like Ruptak’s earlier work, Backrooms is emotionally charged, but themes of anger, regret and despair are balanced by love and connection.

“The overall arc is one of evolution and healing,” Ruptak explained.

Scenes that play out over fragile, haunting melodies include a funeral for a well-loved dog, an ambulance ride to a hospice center and a white-knuckle drive to the house of a suicidal family member. On “Angie,” Ruptak proposes to his wife. Literally.

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