Album Review: Trash. – Ghosts

Let’s face it. For many, the past couple of years have been pretty garbage, in a lot of ways. However, for Colorado’s progressive pop-punk outfit Trash., it would seem the past two years have been about growth and preparing a sophomore release that, in every sense of the word, is quite the opposite of what the band’s moniker projects.

100 to 16, Now Down to 4: BandWagon’s Battle Of The Bands Closes in on Title Bout

Eternal Glory, $5,000 and the cover of BandWagon Magazine are grounds for musical fisticuffs in Colorado. Last month, 16 Colorado bands who stood out from 100 submissions slugged it out (yes, metaphorically) at 4 of the state’s most worthy music venues: Oskar Blues Colorado Springs, The Moxi Theater in Greeley, The Coast in Fort Collins and The Black Buzzard in Denver.
The four finalists rocked hard to surpass their contenders and secure their spot in the final round on December 10 at The Moxi Theater. In the initial rounds, each act was assessed by a panel of celebrity judges on a combination of talent, skill, stye and conduct (along with an element of fan voting) to determine the finalists. Here’s what the original sweet sixteen brought to the battlefield in the first round.

Album Review: Jellyfish Farm – Jellyfish

Progressive rock is certainly its own multi-tentacled beast. Its key characteristics align with virtuosic musicianship and a sort of refined taste which, as with caviar or any stereotype, can lend itself to negative connotations.

But the debut release from Colorado’s Jellyfish Farm could not be further from any preconceived notion of “stuffy” progressive rock. Rather, it’s a delightful and abstract breath of fresh air for not only the state’s local music scene, but modern prog as a whole.

Album Review: Musuji – Blanket Statement

To say that Musuji’s reputation precedes them would be an understatement. Known for their “wild with madness” moniker, Musuji mash together layer upon layer of sound and energy to create their own blend of funky, intense indie rock that is equally as chill as it is disastrous – and that’s in a good way.

Pink Fuzz: Blood Runs Deep

If you notice a particular sweetness in the vocal harmonies soaring above the sludgy riffs, ripping guitar and ruthless drums of Denver rock trio Pink Fuzz, you’re on to something. If you pick out stylistic parallels to another Denver trio The Velveteers, you’re getting even warmer.

The sound you hear in the voices of John and LuLu from Pink Fuzz is called blood harmony. That sounds pretty metal, which is appropriate, but it’s a term used to describe the unmatched accordance that happens when blood relatives sing together.

Single Review: Branson Hoog – “No Vacancy”

Intimate and sexy, Branson Hoog’s nimble, close-up vocals evoke an alluring darkness. The NOT A TOY (fka Shatterproof) frontman employs deep and minimalistic beats on “No Vacancy,” the second release under his own name.

INTHEWHALE Gets Real on Vanishing Point

What sets Eric Riley and Nate Valdez apart from other heavy acts isn’t their musicianship (though it is excellent) but their ability to translate unflinchingly raw moments into music. Starting with INTHEWHALE’s last EP, Dopamine, the band’s tone shifted from the sophomoric humor of their earlier releases to brutally honest explorations of the darker moments of life. These explorations continue on Vanishing Point. The band wrestles with pharmaceutical addiction, suicidal ideation and gentrification. The pain and anger is palpable.

Trash Cat and the Absurdity of the Human Experience

Greeley’s greatest-of-all-time cartoon-inspired indie funk rock band Trash Cat features Mary Claxton on lead vocals and electric ukulele, Hayden Farr on baritone sax and Brian Claxton on drum kit.

“Imagine you’re 13 years old and you’re trying to write about your innermost feelings,” Mary Claxton tells BandWagon of the band’s character writing. “It’s a lot to share. On some level I felt the same way about myself.”

Though all three members hold down day jobs and tour with The Burroughs, they have clearly carved out plenty of time for their “side project.” Their live performances are exceedingly danceable, and their recordings are meticulously produced. 

On December 3, Trash Cat will set the mood during rounds of cosmic bowling at Chippers Lanes in Fort Collins, marking the first ever live performance of the band’s sophomore album, The Tide.