Album Review: Glass Cases – In Between

March 21, 2020

In Between, the debut album from Fort Collins trio Glass Cases, strives to relate to the band’s own demographic: a generation disillusioned with adulthood. Combining elements of synth-pop and alternative rock, Glass Cases create a vibe that’s both interesting and marketable. With rapid, spoken-word, and sung vocals that shine like Keane, Glass Cases’ topically relevant lyrics about social media and insecurity hit close to home for any millennial or gen Z-er.

The band’s originally planned release show at Red Rocks Amphitheatre March 21 was to be their debut at the famed venue, but has been cancelled due to coronavirus precautions.

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Album Review: Gabrielle Louise – The Unending Alteration of the Human Heart

March 2, 2020

Gabrielle Louise lived alone for the past couple of years, existing in slow, rural life in Paonia, CO. Her new album ‘The Unending Alteration of the Human Heart’ (out March 20) is the soundtrack to that life. She captures the earthy, folk essence with twangy guitars, acoustic bass, and her clean, lightly brassy voice. But she’s comfortable letting the music breathe by providing sparseness and leaving herself exposed in the record’s intimate tracks.

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Album Review: Brian Claxton – When I Get Home

January 14, 2020

Brian Claxton is one of the Colorado music scene’s most treasured side-men. The bassist for Greeley’s sweaty-soul band The Burroughs and drummer / shenanigan-conductor of the quirky power-trio known as Trash Cat, he wears many musical hats.

Claxon’s debut solo album When I Get Home sheds his outer layers and makes this very clear: He is first and foremost a jazz drummer. Quarter notes have never swung so hard.

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