Album Review: Victim Culture – Self-Titled

September 1, 2017

Back in April, Denver-based hardcore band, Victim Culture, released their debut, self-titled album. Coming in at eight songs and a breezy 23 minutes, the album packs a heavy, but swift punch from start to finish. Comprised of Zack Hill on guitar and vocals, Connor Hampton on vocals and bass, and Noah Shockley on drums, the band’s sound is rooted heavily in punk. They have a raw but defined sound, blending together melodicism with dissonant, angular guitar riffs.

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Album Review: Ian Mahan – Rockford

Ian Mahan, based out of Denver, says he blends together pop, blues, folk, “and old-time entertainment,” and his latest album, Rockford, particularly leans toward an acoustic indie/pop blend with gentle, relaxing lyrics. The album could be called sweet, or in less generous terms, sappy. But for an independent singer-songwriter, Rockford is a good step forward.

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Josh Blue– Can’t Knock Me Down

August 1, 2017

Life as a stand-up comedian is not easy, just ask Josh Blue. Winner of the fourth season of Last Comic Standing, this Denver resident made a name for himself for his unapologetic candor regarding his cerebral palsy. His national success has made him an important figure in the Denver comedy scene where he’s maintained a strong presence over the years. His success has also attracted the attention of some unsavory characters and recently during his show in St. Paul, Minnesota, he was assaulted in the bathroom of the venue. We got the chance to speak with Blue about the assault and his life as a Denver comic.

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Album Review: Foxxes– Self-Titled

Denver-based quartet, Foxxes, make their debut with this nine-track, self-titled lo-fi album with a nice DIY vibe to it. It keeps a consistent sound throughout, bringing in elements of garage rock, psychedelic pop and indie rock. The first track “Patterns and Sequences” is a mid-tempo tune that has a ‘90s alternative feel to it. The song opens up with big whole note guitar chords before singer Chris Felbush’s washed out vocals float along on top.

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Album Review: Inner Oceans – I Don’t Mind

June 1, 2017

I Don’t Mind is the first proper full-length album from synth pop Inner Oceans. Upon first listen you’ll most likely think, “Wait this band is from Denver???” Originally yes, but they just recently made the big move to Los Angeles. Coming in at five members, the band packs a huge punch with their own brand of stadium ready, psychedelic, synth pop. Amid the state’s craft beer-centric, bluegrass, rock, funk, and EDM saturated music scene, there is a lot of great pop music and artists that often get overlooked. The band delivers a sound that is almost too big for Colorado to contain.

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Album Review: Montoneros – Good Bones

May 1, 2017

Good Bones is the latest release from Denver-based, math rock band Montoneros. The self-proclaimed ”Mile High Twinklers” effortlessly combine intricate guitar riffs with catchy pop melodies that makes for an accessible sound that musicians and casual listeners can both enjoy.

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