New Music Monday: Alabama Shakes — Don’t Wanna Fight

February 16, 2015

In 2012, Alabama locals Brittany Howard, Zac Cockrell, Steve Johnson, and Heath Fogg released their debut album, Boys & Girls. What began as a trickle, soon became an unstoppable waterfall of fandom for the band. The album snagged them a Grammy nomination for Best New Artist, as well as a headlining spot at the awards in 2013. This week, Alabama Shakes has announced their wildly anticipated sophomore album, Sound & Color. “Don’t Wanna Fight” is a smoky, sexy take on the band’s trademark bluesy rock vibe.

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New Music Monday: Courtney Barnett — Pedestrian at Best

February 9, 2015

Though original content dates back to 2011, it was with the 2013 release The Double EP: A Sea of Split Peas that Australian rock artist Courtney Barnett first grabbed American attention. While “singer-songwriter” would be accurate, it gives Barnett an implied sweetness that she quite simply doesn’t have. Her lyrics are biting and sarcastic, and her deadpan sing-song can range from Mac Demarco to Johnny Rotten. Her debut album Sometimes I Sit and Think and Sometimes I Just Sit arrives in late March. Luckily, we have an amazing new single, and an accompanying music video.

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New Music Monday: Milo Greene — Control

February 2, 2015

When members Andrew Heringer and Robbie Arnett started sending tracks to each other after they graduated, they soon discovered the hardships of booking their own gigs. To address the issue, a fictional booking agent was invented. The character was British, well-read, confident, wore a monocle and three-piece-suit, and his name was Milo Greene.

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NEW MUSIC MONDAY: Ryan Bingham — Fear and Saturday Night

January 26, 2015

Think about classic country. People like Johnny Cash, Loretta Lynn, Merle Hagard, Dolly Parton. What do you think of? Soulful and sad melodies, and (depending on who you’re listening to) some politically tinged lyrics. Like it or not, country music is a big part of American culture and American music. If you consider yourself a true music lover, its important to give it a chance (if you haven’t already). When you do, you get people like Ryan Bingham.

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New Music Monday: Shady Elders — The Night Air EP

January 19, 2015

While their name might evoke images of seniors engaging in dangerous or illicit activities, the sounds from their previous records featured heavy, lush instrumentation, and a moody melody. Hailing from our beloved capital city, I am speaking, of course, of Shady Elders. The follow up to the No Favors EP has arrived: The Night Air EP.

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New Music Monday: Manchester Orchestra Releases Hope

November 24, 2014

Manchester Orchestra is not new to the game. With four critically acclaimed albums under their belt including their fantastic fourth album Cope which dropped April 1st of 2014, they can pretty much do whatever they want musically. So in true bands-that-do-whatever-they-want fashion, the Manchester Orchestra boys dropped Hope, a stripped down, not quite acoustic version of Cope.

They re record the entire album song by song in a true testament to their prowess as songwriters and musicians. They completely re envision the intensity of the album, holding on to the desperate driving nature of Cope while at the same time creating something fresh for themselves and fans.

What makes this album so interesting is the care and the meticulous nature of the production in each song making this more than a simple vanity project. One thing you see from successful touring bands is a certain kind of boredom with their own music. Manchester Orchestra breaks from this by reinventing themselves without completely departing from the things that fans have come to know and love. For one album the band lets out their inner Sufjan Stevens, something every band should probably do from time to time.

As a stand alone album Hope tip toes slightly into Boresville when listening from beginning to end if you’re expecting hard rock Manchester Orchestra and something is lost when recreating the intense breakdowns of Cope. But when you compare the two albums they work together and by listening to one the other becomes that much better. Especially Cope, that album is the tits.

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