Category: Reviews

Film, Print, Reviews

Film Review: Noah

April 9, 2014

If one were to compile a list of directors that would be a suitable fit for a Biblical epic, Darren Aronofsky likely wouldn’t rank very close to the top at first glance. With his topics ranging from drug abuse (Requiem for a Dream) to fatally fame-obsessed delusional ballerinas (Black Swan), a story from the Bible doesn’t exactly fit into that class. But one needs look no further than a smaller, earlier film called Pi, in which a man was struck with the unflinching belief that the number 3.14 was a message from God detailing the apocalypse. It’s interesting then that Aronofsky’s latest film, Noah, is about a man speaking to God about just that topic. And what a film it is.

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Music, Print, Reviews

Album Review: In the Whale – Nate

As always, In the Whale boasts a driving, electrifying power that takes up an incredible amount of sonic space despite being composed of just two guys. The basic guitar-and-drum formula works, and while there’s nothing at all elaborate about the band’s music, it’s the earnestness with which they perform it that makes it so damn fun.

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Music, Print, Reviews

Album Review: The Wild After – Lesson Learned

People who consume music on a casual basis don’t realize what a strange process it is to start a band. Local acts are constantly splitting, joining, or reinventing themselves. So when former members of The Heyday, Randall Kent and Ryan Buller, teamed up with a new rhythm section comprised of Jesse Spencer and Chris Beeble in October last year, it wasn’t anything unusual. What is unusual is the remarkable sounds they’re making in such a short time together. Their new EP, Lesson Learned, is releasing late March. Fortunately we got a streaming preview to let you know why you should check it out.

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Music, Print, Reviews

Album Review: Protomartyr – Under Color of Official Right

April 8, 2014

Once a beacon of progress and success, Detroit has become the standard modern example of what can go wrong in an American city. There’s poverty, crime, corruption–the myth of the city itself has transformed from the quintessential American Dream, to a less affluent Gotham swathed in a brutal struggle for its own soul. Art that emerges from Detroit is expected and often possesses a certain tint of nihilism, but most interesting are those artists who manage to both own the new myth of their city and transcend it. Hip-hop artists like Eminem and Danny Brown have done it, and now Protomartyr emerges almost fully formed with Under Color of Official Right.

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Music, Print, Reviews

Album Review: Musketeer Gripweed – Floods and Fires

It’s difficult to liken comparisons to Musketeer Gripweed. Maybe hints of Zakk Wylde vocalization and Black Keys catchiness can be sought, though such associations only apply sporadically—Musketeer Gripweed is ferociously singular in their style and genre, whatever that specifically may be. Either the band doesn’t know either or they don’t care, given that their official Facebook page refers to their genre as “American Revival Stomp Ass Shake Holla!” The description is fitting: Floods and Fires is a rip-roaring album with very few moments of weakness.

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Music, Print, Reviews

Album Review: Pandas & People – Pandas & People

April 7, 2014

It’s always exciting when an existing band branches off to explore a new sound and style. Members of the alt-rock (and generally pretty decent) band Five Day Rhetoric, in their downtime, decided to start experimenting with folk rock–a decision that eventually spawned their new project, Pandas & People. The name is catchy, and the music is nice and catchy. However, the product doesn’t break much new ground in terms of the genre, despite the clear presence of passion and potential.

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