I walk into her studio space in the Greeley Art Space and see several different projects mid way done, you can almost feel them bouncing creative energy off each other. She is an artist of many colors and knows how to get the most out of both her busy schedule and every and any household material.
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Trichome Ends Their Eight Year Run
After eight years of being one of northern Colorado’s most distinguished bands, they have decided to take an “indefinite hiatus.”
Continue readingAugust – Trichome
In This Issue:
Edward Sharpe // Kingman Brewster // Ill-esha // You, Me, and Apollo
David Lynch // Dyana Wyeno // Arise Music Festival // Pacific Rim
Album Review: Ramshackle Glory/Ghost Mice – Shelter
Funded by a Kickstarter campaign, Ramshackle Glory and Ghost Mice’s split album Shelter was first described by Ghost Mice lead singer Chris Clavin as being “about the ideas of shelter and home. Ideas like sleeping on floors and living in punk houses and not having anywhere to live at all.”
Continue readingPlastik Factory and the Mission for Singularity
The team is a close knit artistic duo with Warren Jones providing the musical aspect and Jeremy Vanley, the visuals. They have been previously seen and are best known for their noise and performance art show: Nosferatu: A Symphony of Horror which debuted at the Mile High Horror Film Festival in 2012, for a sold out show. Together they work towards a cohesive style which cooperates to form a larger vision.
Continue readingAlbum Review: The Ghoulies
Recently releasing their self-titled debut album, The Ghoulies’ multifaceted brand of rock is constituted by vocals reminiscent of ‘70s punk bands, guitar work that alternates between power chord punk, groove-oriented blues, and a rhythm section of bass and drums that invigorates a constant energy and excitement.
Continue readingAlbum Review: Twin Peaks – Sunken
Sunken boasts simple, charismatic lyrics supported by youthful and impressively executed instrumentals.
Continue readingFilm Review: House (1977)
The origin of the film is rather peculiar and makes sense, given the context. Jaws had come out two years earlier, and the bosses at Toho Studios thought that if a then-amateur like Spielberg could do that well, they could do the same.
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