The Ultimate Freak: Sir Mix-a-Lot Still Swass

April 11, 2014

In the early ‘90s, Seattle native Sir Mix-a-Lot proudly proclaimed: “I like big butts and I cannot lie” on 1992’s Mack Daddy, his third studio album and first for Def American. However, little do people know the two albums that preceded Mack Daddy contained some of his best material. From “Square Dance Rap” and “Swap Meat Louie” to “Posse on Broadway” and “Beepers,” there’s more to Mix-a-Lot than just big butts.

Continue reading

Recreational Marijuana In Garden City Means Music and Munchies For All on 4/20

April 10, 2014

“420,” pronounced “four-twenty,” has established itself quite definitively in the pop culture zeitgeist as a blanket term for all things marijuana, spawning everything from straight-faced legitimacy to raucous Internet memes. The exact origins of the term 420 are heavily contested, with theories ranging from connections to Bob Marley and Grateful Dead to the number being shared with the quantity of ingredients in cannabis and the code for marijuana consumption. All are untrue. Instead, 420 originated with high school students in San Rafael, California in 1971, who decided on a time—4:20 pm, though probably not on April 20th—to meet at a statue and smoke together. It stuck as a broader allusion to marijuana in general, and now enjoys its status as a flagship term for the drug.

Continue reading

Atlas Presents: The Screwtape Letters

March 6, 2014

C.S. Lewis has long been known for his ability to tell a creative engaging story while also delving into serious theological and religious matters. His works create platform for discussing such topics in a manner that is compelling and appealing to a large audience. Such is the case for The Screwtape Letters, a piece comprised of correspondence from a senior demon to a new recruit, providing a picture of the temptation to engage in harmful or destructive activities or lifestyles.

Continue reading