The band still carries his name, but G. Love is taking a step back from the spotlight.
G. Love was as synonymous with the Special Sauce as a Big Mac and fries, but he’s now touring with The Juice, and the move signals a shift in musical direction, both in his music and the way he approaches it.
“Special Sauce has been great, but I’d been thinking about a bigger band for some time,” G. Love said in a phone interview for BandWagon. “It was a chance to play with a lot more soloists instead of just a trio. It was a lot of fun for me.”Continue reading
Eden’s reimagining of the Bush classic fits the song’s mystical and mysterious feelings of being in love by surrounding the listener with ambient synths and heavy reverbs. Justice’s vocals have a grungy texture reminiscent of Bush frontman Gavin Rossdale, a nice call-back to the original.Continue reading
“Little by little, my own tastes came through for Soulfly,” Max Calverra tells BandWagon. “As I get older, you’d think I’d get more mellow. But I like the heavier and heavier stuff. When you get older, you play what you like. You play what you feel.”
“Riffs are my church,” he said. “That’s my paradise. I will spend hours riffing on the guitar and just chugging on the guitar. I call it Chug Life. When you finally find a killer riff, man, it’s like you’ve won the lottery.Continue reading
On the last day of 2021, David Wimbish, a millennial, posted a viral video on TikTok. It’s is a perfect snapshot of what The Collection does best. The instrumentation is catchy and Wimbish inhabits the unambiguous emotion of the song with his vocal performance. The lyrics are intense, vulnerable and painfully relatable (“another lockdown stuck inside this shit town I can’t find a way round my intrusive thoughts now”).
“I went from someone who was trying to please everyone, to someone who is outspoken about my sexuality,” Wimbish told BandWagon later. “Why are you so afraid of pleasure,” he sings in their new single ”Get Lost,” and this celebration of pleasure is on full display at the Collection’s live shows. Wimbish twirls his mic stand theatrically from among the folds of flowing white clothing and band members bounce around the stage wildly during instrumental breaks. Huge grins and perspiration are the band’s unofficial uniform.Continue reading
“LowDown Brass Band has roots in the Jazz education world,” MC Billa Camp tells BandWagon, “but the Jazz education world has the habit of treating Jazz like an island. As if – Jazz isn’t birthed from the same struggle as Hip Hop. As if they are not Black father and son, born fighting the same fight.”
Lowdown Nights, the latest and most future-leaning record from LowDown Brass Band, was appropriately released during Black History Month. It takes things further out of the pigeonhole and into the pan-genre stage, using the history of the African American experience as its guide.
Especially with the hit single “Be The One Tonight,” they go mainstream – and that’s a good thing. The collective has enough talent within its ranks to deliver a show with as much variety as Beyoncés 2018 Homecoming at Coachella. It’s the multi-lingual, multicultural, multi-genre kind of mainstream pop and dance music that encapsulates the musical stew of 2022.Continue reading
Zachary Williams, whose powerful voice drove him out from the Brooklyn Bar4 open-mic world and onto the international stage, is best known as the belting leader of The Lone Bellow. His new solo record Dirty Camaro is indeed an escape from that band’s gravity; one that’s weird, head-turning, soulful and fresh.
Williams says “I’ve wanted to do it for a long time – really, right after Jim James from My Morning Jacket released his solo record.” He says James had “graciously come out to a couple of my shows,” and the two connected.
What began as a two day trial session resulted in the full length record. The album is rich with expert pedal steel guitar, orchestral strings, saxophone and a Texas-band backbone that really cooks.Continue reading
A GLORIOUS ONE from rapper One Peace finds itself at the crossroads of trunk-knocking production, emotion-soaked sampling, and vivid, unapologetic songwriting.
Released on independent Fort Collins-based record label Lion League Music, it’s a nostalgic yet relevant album that feels as diverse as it does cohesive. Sonically, it could stand in as the score to a Tarantino flick or the tracklist for a forthcoming Grand Theft Auto radio station with OP’s speaking voice alone commanding more presence than the average MC yelling full volume into the mic.Continue reading