“It’s pretty easy to see how unprepared everyone was,” said Brian Claxton – a touring drummer and music educator based in Greeley, Colorado. Music venues, restaurants and bars across the globe and in Colorado have been ordered to close due to coronavirus precautions, essentially cutting off the lifeblood of the music industry. But the ramifications go deeper, from the 50th anniversary of the huge UNC Jazz Festival delaying one year to smaller bands such as Float Like A Buffalo cancelling their shoestring budget tours. “I think it will take a year to recover, not just in the economy but in the entertainment industry here,” Moxi Theater Ely Corliss said, “and that’s if we resume in April. If this goes until May 11 or so, it’ll be catastrophic for the Moxi and (his restaurant) Luna’s both.”
“This is like some horror movie shit.” Old Man Saxon is looking back on one of the scariest moments during the 13 months he was living in his 2001 Ford Explorer Sport while trying to “make it” in Los Angeles. It was the middle of the night and he was sound asleep when a loud noise jolted him awake …
… but with homelessness now in his rearview, Old Man Saxon was able to focus on his next adventures, which included landing a song on HBO’s Silicon Valley soundtrack (“That was a miracle,” he says), a teaching role at the Musician’s Institute in Hollywood where he taught rap and a spot on the Netflix competition show Rhythm + Flow.
In Between, the debut album from Fort Collins trio Glass Cases, strives to relate to the band’s own demographic: a generation disillusioned with adulthood. Combining elements of synth-pop and alternative rock, Glass Cases create a vibe that’s both interesting and marketable. With rapid, spoken-word, and sung vocals that shine like Keane, Glass Cases’ topically relevant lyrics about social media and insecurity hit close to home for any millennial or gen Z-er.
The band’s originally planned release show at Red Rocks Amphitheatre March 21 was to be their debut at the famed venue, but has been cancelled due to coronavirus precautions.
Max Barcelow’s life as a professional musician in Fort Collins has had plenty of twists and turns. Drumming for prolific folk artist Gregory Alan Isakov, he’s played Red Rocks, in Europe, with the Colorado Symphony and attended this year’s Grammy ceremony on January 26 at The Staples Center, long dubbed “Kobe’s House,” on the day of Kobe Bryant’s death. An evening torn between celebrating music and hastily trying to address and honor Bryant, Barcelow witnessed the pomp and grandeur of the Grammy’s while being reminded of how no one can escape life’s fragility – even with success and money. “It’s funny how death just brings it all back home,” Barcelow said.
When it comes to good music in Northern Colorado, everyone has their own approach. Some seek perfection with meticulous engineering, and then there are bands like safekeeper who just don’t give a shit. “bummer beach bonanza” (out March 21) is a glorious mess, painting a dreary, apathetic picture, but the lo-fi quality gives it charm and that extra something special you need in making a stand-out indie rock record.
As the talent booker for the Greeley Stampede’s music acts, John DeWitt always liked the Tyler Walker Band. But now that he’s in the band, he’s an even bigger fan. “I believed in him for a lot of different reasons,” DeWitt says. DeWitt and Walker will be part of this year’s Rocky Mountain Country Music Awards at the UCCC in Greeley on March 13.
Cherokee Heirloom seeds locked in an arctic vault. An unsung hero known as “The Female Elvis.” The most famous mime saving children during a world war. Girls skateboarding in Kabul. The demise of the most rock’ n’ roll magazine ever (no, not us…).
What do they have in common? Why they’re in this month’s My5 from The Colorado Sound, of course! Always worth checking out what’s on the minds of our radio gurus – March is no different!
Since their inception, MountainUs has been leading the way in Northern Colorado’s expanding reggae world. The Fort Collins fivesome has a new EP, ‘Captured Live At Chimaera,’ which holds the kind of energy that would never be attainable from a studio recording. They release the album at Hodi’s Half Note in Fort Collins on March 13.
