One cold February morning in 2015, the two masterminds behind Thievery Corporation—Rob Garza and Eric Hilton—left the frigid air of Washington D.C. and touched down in Kingston, Jamaica. They then made the 60-mile journey to the jungle-hemmed city of Port Antonio, a place the locals call the “real Jamaica,” where they would record their 10th studio album, The Temple Of I & I.
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Boulder-based Dynohunter never want to completely fit in with what’s going on around them. Cutting a way for themselves through the festival and EDM scene across the country, they have opened for legends such as Infected Mushroom, Papadosio, and Bonobo. A household name amongst the Colorado festival circuit, each year their name climbs higher and higher on the line-up posters. We spoke with the Dynohunter guys ahead of their gig at ARISE about all the things that make them tick.
“We love that house and techno seem to be catching on with a larger festival and jam audience. Being born out of the jam scene and gravitating towards house and techno ourselves, we have helped others see how, for example, a DJ is able to weave together a 2-hour set and take the audience on a ride in a similar way to a jam band.”
West Coast collective Living Legends — Murs, Eligh, The Grouch, Aesop, Bicasso, Sunspot Jonz, Luckyiam and Scarub — are ready to rock the Eagle Stage at The Arise Music Festival with their classic boom bap, no-frills hip-hop. Over the years, the group have taken a couple of hiatuses, but Aesop confirms their reunion is official (however, it’s unclear if Murs will be at the Arise Festival). “We are definitely back together,” says Aesop. “Our break was for spiritual reasons if you can call it that.”
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Queen. When did this obsession start? Is it an obsession? “It’s funny – It’s almost accidental and almost as if the world willed it to be so. We were getting compared to Queen well before there was any conscious effort to emulate or borrow from them. My voice would be compared to Freddie Mercury’ s (which was always a huge compliment) which I see as a natural progression of learning to sing at the piano. When you have to sing over an instrument that big and loud you think about range and volume differently.
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I Am The Owl’s newest release is for longtime fans of the Fort Collins punk/metal band and new listeners alike. Recorded at the Blasting Room, a heavy hitting local recording studio readers should familiarize themselves with (if you haven’t already), A Mission to Civilize: Part II rips. Fans of the hybrid genre will dig the searing guitars and signature “tight, but huge” drums.
Following up their first release, A Mission to Civilize: Part I, the new drop expands on I Am The Owl’s galvanizing sound with much-welcomed production value increase. Fans of local DIY punk rock, don’t let that turn you off.
The Golden-based “Desert Grass” quartet Heavy Beauty has a clean but unfiltered sound to their work. The three songs on the EP – “Dreams,” “Butterflies” and “Stars” – are simple but elegant. They possess a slow, even flow to their singing that never stutters or overpowers certain elements. Dobro player Mike Testagrossa, bassist Angel Edgemon and Willie Thomas on the mandolin provide vocals, with Dax Hunter Jordan on drums.
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Lake Street Dive vocalist Rachael Price says she’s this generation’s heir apparent to Bonnie Raitt. You’ll hear it in the torch of “I Can Change” and the defiant grit of “Good Kisser.” Their seventh album Free Yourself Up proves this is no novelty act.
Dr. Dog’s new album Critical Equation is the band’s first album of new material in over 5 years.
On his third solo album, Call The Comet, Johnny Marr seems at long last to have found his voice, literally.
It’s rare to have the first song you record top the charts, but that’s exactly what happened to Alice Merton.
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