A visit to the inside of Jack White’s head would be an interesting one. The prolific rocker, responsible for such diverse acts as The White Stripes with relationally ambiguous Meg White and the far too short-lived The Raconteurs and The Dead Weather, and who has also appeared on a James Bond theme song with Alicia Keys and an Ennio Morricone-inspired Danger Mouse album, breaks ground with every new record.
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“Stand up comedy takes guts.”
That’s a quote from me. I said that. I said it to myself last night after a drunk guy shattered his beer glass on the floor while I was mid joke. I said it again when 20 percent of the crowd (one lady) fell asleep and started snoring. I said it a third time, I don’t know why, in the bathroom when a guy walked in on me pooping after my set. And I’ll say it again right now: stand up comedy takes guts.
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Mike Bigga may be more recognized by the name Killer Mike, but underneath the menacing moniker is a Southern-bred heart of gold. Bigga is a former Morehouse College student who values the lessons instilled in him by his grandmother, adores his children, loves his wife, but at the same time can murder a microphone with his politically charged and brutally honest lyrics.
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For the guys in the tropical indie-rock outfit The Hip Abduction, life could be worse. Based out of St. Petersburg, Florida, according to bassist Chris Powers when they’re not on tour or recording new music, they’re spending time on the beach. A band since 2007, it wasn’t until 2013 that the band began to experience a breakout when they released their self-titled album to a warm reception in the reggae market.
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New this month from Bastille, Cage the Elephant, Love Thy Brother, The Shins and Sigma.
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Back in October, we reviewed Death, the 2014 album from folk/punk outfit Gasoline Lollipops. Clay Rose, the lead vocalist and acoustic guitarist of the Boulder-based band, said that the creative process for Death was “a very manic free for all.”
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A good song should always make being human totally sweet and terrible all at the same time. A good song like a dream takes me on an adventure to a robot alien saloon in space and I’m reaching for my six-shooter laser blaster because there’s a robot who’s had too many oil cans and he’s about to start a brawl. Then suddenly my alarm clock is going off and it’s time to leave for work. A good song makes me forget I exist then it’s over and I want more.
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Notice is the first full-length album from Denver based band Wrinkle. Coming in at a whopping 15 tracks, the album may seem like an intimidating listen amidst the sea of four track EPs, but only three of the songs are over three minutes. The band is the brainchild of Amos Helvey, who sings and plays guitar and keyboards on the album. He is accompanied by a Evan Kallas bass and Nick Manske on drums. The trio has a very organic sound as they have played with each other in various projects in some shape or form in the past. They also rotate on instruments to form the band PACEMAKER.
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