The goal of Death Of A Bachelor is trying to express a celebration of life changes, which the lyrics succesfully show, but the ever-eccentric, power pop duo (including Dallon Weekes) sees Urie’s powerful voice wielded like a hammer, sometimes inspiring a mild headache.
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Equal parts illustrious and excessive, genuine and humble, Malibu builds on the boozy charm of Paak’s debut, Venice, doubling down on atmosphere and lush, live instrumentation.
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Chill. Charismatic. Mellow. Funky. Rocking? It’s hard to describe Smile, the latest album from Fort Collins band The Symbols, beyond saying it’s awesome.
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