Album Review: The Deadwood Saints 6th Street Trinity

October 26, 2014

Alternative country is something that I don’t necessarily pay much attention to, even though I have a love and appreciation for country music. The alternative scene pushes country in directions one wouldn’t normally hear on KYGO. For those that think country is about daisy dukes, pick-up trucks, drinking, Jesus, and ‘MURICA, I’d ask you to look into alt country music.

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Album Review: Too Many Zoos, Fanimals EP

October 21, 2014

Self-described brass house trio Too Many Zooz has only been around since late last year, and rose to national prominence sometime in January when someone posted a video of the group performing in Union Square. Fans have said that the first time hearing the group was when they were walking through the area and “suddenly heard this massive, incredible sound.” That’s about accurate.

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Grieves A different Kind of Wolf

October 15, 2014

Could it be? Could Grieves, the Rhymesayers emcee, be leaving hip-hop for neo-soul? Not so fast. Although the Seattle-based artist’s most recent album 2014’s Winter & the Wolves offers more soulful singing than previous efforts, it’s still very much a hip-hop album. After all, Grieves (real name Benjamin Laub) has been “professionally” rapping since his brief stint with Black Clover Records in 2007.

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Film Review: Tusk

October 14, 2014

When I was younger, I willingly sat through three Saw movies without flinching. I have a deep appreciation for the likes of Evil Dead, Halloween and Videodrome. However, it has been a while since I’ve seen a horror film, and walking out of one recently made me question if I’ve gotten soft as I’ve grown older.
And the man responsible for it? Silent Fucking Bob.

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Little Dragon: Fired Up for the New Tour

October 13, 2014

The moment vocalist Yukimi Nagano drops her first note on the 2010 Gorillaz track “Empire Ants,” she promptly steals the show from Damon Albarn. As the 32-year-old front woman of Little Dragon, she’s used to being in the spotlight by now. Since 2009’s Machine Dreams, the Swedish four-piece (sometimes five) has been steadily on the rise, especially in the United States. Their third album, 2011’s Ritual Union, appeared to cement their arrival, reaching number 78 on the U.S. Billboard 200 chart. It’s their most successful album to date.

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